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Queen Silvia of Sweden tells a little about her life in an animation made of stamps.
Some college pals try remembering their night in order to find their missing friend. They encounter a weird stranger.
Clay-on-glass under-the-camera animated interpretation of Emily Dickinson's poem by animator Lynn Tomlinson.
Johnny's freeloading brother Henry will go to any length to bet on a tip at Belmont, including stealing from Junior's piggy bank. When Johnny's mother-in-law tells them to take Junior to the dentist to have a tooth pulled, and gives them $2 for the doctor, the game is afoot. The money goes to Henry's bookie, and the boys decide to pull Junior's tooth themselves... by tying a string onto the back bumper of a car. But a pet parrot spills the beans, and mother-in-law goes chasing after them with fire in her eye, and a fireplace poker under her coat.
Band leader Phil Harris, through a misunderstanding, finds himself with a job as a professional escort, and a date to take a rich young society girl to a night club. She picks the club where the Harris band is playing. Phil is kept busy trying to keep the band from telling the girl who he really is, and to keep the girl distracted enough so she won't notice he is leading the band.
The former waiter Ernst Held believes himself to be called higher and seeks self-realization as a poet. When he recites poems to his wife's beautician in an ambiguous situation, his wife puts him out the door. Completely destitute, the thwarted poet must therefore return to the lowlands of life and become the head in the Munich pub "Goldener Löffel".
When the diabolical Professor Ratigan kidnaps London's master toymaker, the brilliant master of disguise Basil of Baker Street and his trusted sidekick Dawson try to elude the ultimate trap and foil the perfect crime.
The tale of a workaholic dad-turned-dog who finds that being man's best friend shows him the most important job - being a great dad.
In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.
At a remote mountain lake a bound man with cemented shoes is being dragged to the water by two other men and his request for a coup de grace escalates into a clash.
