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Taking the Stand - (Mar 29th)
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Family Guy - (Mar 29th)
We Were the Lucky Ones - (Mar 29th)
Royal Crackers - (Mar 29th)
Summer House - (Mar 29th)
The Nature of Things - (Mar 29th)
Manhunt - (Mar 29th)
The Reluctant Traveler with Eugene Levy - (Mar 29th)
A Gentleman in Moscow - (Mar 29th)
BMF - (Mar 29th)
Next Level Chef - (Mar 29th)
The Good Stuff with Mary Berg - (Mar 29th)
The ReidOut - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Down Home Fab - (Mar 29th)
Alex Wagner Tonight - (Mar 29th)
Bangers and Cash - (Mar 29th)
Gardening Australia - (Mar 29th)
The Bidding Room - (Mar 29th)
The name is Dalton and we thought he would be bigger. Dalton (Patrick Swayze) is a highly regarded professional cooler of bars and clubs. He is hired by Frank Tilghman (Kevin Tighe) to clean up his Double Deuce Road House down in Jasper, Missouri. A rough drunken and bloody place, the Double Deuce is just the start of Dalton's problems as he falls foul of town despot Brad Wesley (Ben Gazzara). I don't know if it's the same the world over, but here in Britain a bouncer is very different to that of a doorman. This is something that anyone who has been in and round the profession can attest to. So even though the casting of Swayze at first glance seemed an odd one, his character Dalton (wonderfully essayed by him actually) is the epitome of a doorman cooler, where violence is the last resort and used only in extreme circumstances. All of which makes Road House an interesting film in the context of its subjects, it's only when the makers resort to cheap tricks and heavy formula that the film descends into soggy popcorn fodder. The fight scenes are competently handled here, and the characters are an engaging bunch (an axis between Dalton and his landlord Emmet is particularly warm). It's also a very sexy film, mucho machismo for the lads and ladies as Swayze buffs up and kicks butt, while Kelly Lynch sets pulses raising as the perfectly toned, obligatory love interest, Doc Clay (this is a world where doctors look and are shaped like Lynch). A huge question remains though as to if Road House means to be as cheese funny as it is? Because outside of the obvious jokes (plenty) there's cringe moments that make you wonder if it's comedy first, hard buttock actioner second? Be that as it may, Road House is an entertaining film regardless. Scorned by many but cherished by a lot, it remains a late 80s genre splicer that now has something of a cult following. See it at least if only for Sam Elliott's delightful turn as Wade Garrett, the cooler with a reputation as big as Jasper itself. 7/10 Fotnote: Michael Kamen scores the music and basically uses the same score he used for Die Hard the previous year.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate businessman seeks revenge on his captors.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A mysterious woman named Grace hides in a small mountain town from criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.