სუბორდინაცია

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

This is the Sixteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

In Aachen, Mia makes a living as a homeless person. As a woman, she is exposed to particular vulnerability. When the architect Markus helps her in an emergency, a fragile connection emerges between their very different worlds. Mia's hope grows that she has found someone she can trust.

This is a story of a blind girl who gets a chance of a lifetime. A rich man offers to her the precious gift of the eyesight, provided that she marries him blindly. This gift opens her eyes on the grim truth of life.

Ajit Singh returns from abroad. His mother receives him with affection. Ajit comes across a model photographer, Ravikant, and asks him to decorate his bedroom with photographs of sexy girls. Ravikant, the photographer, adorns the bedroom with photographs of Roma, one of his beautiful models. Gradually, Ajit becomes desirous and falls for this model. Eventually, he offers to marry her but she is already engaged to Ravikant and therefore, refuses. A sly Ajit offers his place up for their marriage. During the ceremony, Ajit finds a way to molest Roma. His mother sees it and intervenes, eventually ending up shooting him. Ajit haunts the couple even after his death. His desires for Roma do not change and he claims her to be his wife and haunts her. His mother and Ravikant visit saints and seek tantric aid to pacify the wicked soul of Ajit.

Something went wrong with the chairman of a prosperous collective farm, both at home and in the general household. And when they sent a new secretary of the party organization, he got really angry and went to Alexandra. But he continued to worry about the collective farm and therefore always waited for news through her — how were they without him? And he knew that no one would come for him. But one day an accident happened on the collective farm, he was called and Alexandra could not keep him...

Letty Shell, a clerk in a London brokerage office, is discouraged by her lack of fine clothes and social position. She becomes infatuated with Nevill Letchmere, a debonair idler from a good family, and believes that he wants to marry her, but after her boss, Bernard Mandeville, who has risen to power and wealth, and who wants to marry Letty, warns Letchmere to keep away from her, Letchmere confesses that he is married. Disappointed, Letty accepts Mandeville's proposal, but when she sees Mandeville's boorishness in a restaurant, she returns to Letchmere. Just as she is about to become his mistress, Letchmere receives word that his married sister has eloped with a lover. When he curses his sister for acting like a "shop girl," Letty realizes that he views her and her class without respect. She leaves and accepts the love of her faithful friend Richard Perry, a poor photographer, whose rich uncle is going to help him in business

A Humvee patrol finds humanity in a war zone, while coping with the aftermath of an IED attack.

The Saudi family is following strict instructions from their grandfather to remain confined in the desert during the early 1990s. A series of events shakes the family's foundation and they find them in a struggle between life and death.

Toko is a woman who lives her life casually while working part-time at a telephone club. One day, he meets Yokkun, the guitarist and vocalist of a popular band about to make its major debut. Yokkun falls in love with the charm of Toko who doesn't stretch out, but when it comes time to talk about something important, Toko avoids it by humming. In the depths, there is Toko who is elusive. Heart broken in childhood. A heart that can't trust people. A coming-of-age ensemble drama depicting Yokkun and his friends who are toyed with by Toko, who has a small darkness.