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In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Edouard, a funeral director, leads a very quiet life. The routine: work, return home, dinner cooked by his wife and reading a story to sleep his daughter. One evening, like no other, her daughter makes a strange prayer. She predicts the death of one of her family members the next day. And every night, the same refrain. Until the dreaded day arrives - she announces the death of her father.

A series of good times, bad times, cherished bonding moments which will make them all realize the value of love, friendship, family and life.

Rome and Ethan have been together for 14 years. He is the love of her life, and she is his number one supporter. They are each other's firsts, and to their friends, they are the perfect couple. When the two begin to feel that their relationship has gone stale, they explore the idea of going open. It's something Ethan wants to do and it's the only way Rome feels she can do to keep her man. They agree that they are allowed to have sex with strangers, but they are not allowed to fall in love. In a relationship built over time, the two begin to "explore" expecting to salvage the exact same thing they are giving up. In the end, they learn the importance of the very thing that they have been blind to–a relationship without trust will eventually crumble.

Doña Atang, a once celebrated film producer from the earlier years of Filipino cinema, celebrates her one hundredth birthday. For her wish, she wants a reunion with all the actors and staff that she has worked with in the past. She is also looking for an unfinished film from one of her directors. Her grandson Michael decides to take the task of finding them. As he does, we remember the glorious years of cinema from its workers–fragments of a colorful past filled with faded memories.

Lola Igna is a foul-mouthed and stubborn woman who is eager to die but her neighbors are hung up on her winning "the oldest living grandmother in the world." Her long-lost great-great-grandson, Tim, is an aspiring vlogger who wants to latch on her now-famous grandma but ends up giving her a new reason to live.

A troubled Overseas Filipino Worker (OFW) is forced to return home and come to terms with the family she left behind.

Salma is not happy with her husband Jamal due to his drug addiction. Zaryaab tries to keep Jamal in this habit because he set some goals for himself. Zaryaab cannot achieve his goals without the help of Saieen. Jamal cross all the limits to get drugs regularly.

Haunted by the ghosts of his past and his angst of his future Roman is determined to prove himself as a boxer. For this dream he is willing to give up on everything: his friends, his health, even his own self.

Everybody has their own dreams and fears. Are we all connected or are we really all alone in this world?