Between Borders 2025 - Movies (Apr 1st)
Shiver Me Timbers 2025 - Movies (Apr 1st)
October 8 2025 - Movies (Apr 1st)
The Last Supper 2025 - Movies (Apr 1st)
The Actor 2025 - Movies (Apr 1st)
Black Bag 2025 - Movies (Apr 1st)
Opus 2025 - Movies (Apr 1st)
A Working Man 2025 - Movies (Mar 31st)
Mufasa The Lion King 2024 - Movies (Mar 31st)
The Killer Is Calling 2025 - Movies (Mar 31st)
Hearts Around the Table Sharis Second Act 2025 - Movies (Mar 31st)
Mickey 17 2025 - Movies (Mar 30th)
Ransom 79 2024 - Movies (Mar 30th)
Punt The Irish and The NFL 2025 - Movies (Mar 30th)
The Break-Up Club 2024 - Movies (Mar 30th)
Bright Sky 2025 - Movies (Mar 30th)
King of the Apocalypse 2025 - Movies (Mar 29th)
Art Attack The Dissection of Terrifier 3 2025 - Movies (Mar 29th)
Sound of Hope The Story of Possum Trot 2024 - Movies (Mar 29th)
Better Man 2024 - Movies (Mar 29th)
Jason Byrne - The Ironic Bionic Man 2024 - Movies (Mar 29th)
Escape to the Country - (Apr 1st)
Air Crash Investigation- Special Report - (Apr 1st)
American Idol - (Apr 1st)
Son of a Critch - (Apr 1st)
The Tommy Tiernan Show - (Apr 1st)
The Divorce Insurance - (Apr 1st)
Homes Under the Hammer - (Apr 1st)
The Chase Australia - (Apr 1st)
The Cruise - (Apr 1st)
After Midnight - (Apr 1st)
Sam Pang Tonight - (Apr 1st)
The 11th Hour with Stephanie Ruhle - (Apr 1st)
The Dog House Australia - (Apr 1st)
Watch What Happens Live with Andy Cohen - (Apr 1st)
The Voice of the Country - (Apr 1st)
Tribunal Justice - (Apr 1st)
Confessions of Octomom - (Apr 1st)
Gypsy Rose- Life After Lock Up - (Apr 1st)
Beyond the Gates - (Apr 1st)
Extracted - (Apr 1st)
I recently watched the film "The Front Room," which stars Brandy Norwood in a role that marks her return to thriller and horror genres since "I Still Know What You Did Last Summer." The movie takes you on a wild ride with a deranged mother-in-law who claims her actions are in the name of Jesus Christ, but in reality, she is mentally unstable. Despite its low budget and odd script, "The Front Room" is a captivating watch as you witness the disturbing antics of this non-biological mother-in-law towards the protagonist, especially after the birth of a baby. Her behavior, from her laugh to her speech, is so repulsive that you may find yourself wanting to intervene and have her arrested. While the film may not be a masterpiece, it is also not without merit. It offers a twisted and entertaining experience, showcasing the extent of the mother-in-law's insanity.
Kathryn Hunter tuns in quite an entertaining performance here as the truly odious and manipulative "Solange" but the rest of this is pretty weak. It all starts with teacher "Belinda" (Brandy Norwood) and her lawyer husband "Norman" (Andrew Burnap) expecting a baby and struggling to make ends meet in their new home. His father dies, and at the funeral he learns that the terms of the will sort of require them to take in his stepmother for what's left of her life. She's tiny, walks with two big sticks, and looks like she's already in God's waiting room - but "Norman" loathes the woman. "Belinda", on the other hand, deicides that the cash on offer is too good to turn down and so... What now ensues is just a mess. The characterisation of "Belinda" has all the depth of an Ethiopian river in July and her drippy husband - who just reminded me of a grown up "Harry Potter" the whole time - struggle to make any impact on a story that just doesn't deliver. There's no menace, no sense of peril, some adult nappies and as script that came straight from the "Janet & John" book of elementary thriller writing. It's actually quite a tasteless and an annoyingly repetitive watch with shades of "Rosemary's Baby" to it - but very shady shades. It's fodder for Halloween season, and after a few beers late at night on the television might bear watching just for the efforts of Hunter, but otherwise this is completely forgettable stuff.
Victor Reynolds arrives at the notorious House of Usher, whereupon he is greeted by old acquaintances Roderick and Madeline Usher and their servant, Markus. As Victor uncovers more about the history of the house and the disappearances of those that entered it previously, he begins to realize that he is in mortal danger.
Suspecting that people are transforming into malevolent shape-shifters, Wyatt flees to New York City to seek out his estranged childhood friend Christian.
Three extraordinary tales written by Edgar Allan Poe, the Master of the Grotesque: a man who is dead but is not; a cask of wine and a meditated revenge; and a heart that refuses to stop beating.
A young boy finds an ancient Comanche monster spirit in the basement of his home. His parents don't believe him, so he must kill the monster alone.
While exploring the neighboring woods, 13-year-old John discovers an unfinished bunker — a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. As they anxiously wait for John to free them from the hole, the boy returns home, where he can finally do what he wants.
‘Dui Shaw’ is the modern revival of the mysterious and lurid plots of traditional South Asian folk tales told from generation to generation. A sequel series to ‘Pett Kata Shaw’; 'Dui Shaw' delves into the horrors of the present instead of the folktales of old.
The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.
Nine people are stuck in an elevator. One of them has a ticking bomb that can't be defused. The other eight will do anything to survive. There is no escape and no promise of rescue. As the tension in the elevator mounts the unthinkable soon becomes the only reasonable solution.
Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...
An older sister takes her fearless runaway sibling on a road trip, to share the most chilling tales surrounding their hometown.