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**By: Louisa Moore / www.ScreenZealots.com** _This film was screened at Fantastic Fest_ “Brutal Season,” writer / director Gavin Fields‘ homage to “Death of a Salesman,” feels like a stage play that’s been filmed for the screen. More experimental than straightforward, this is a film that’s filled with difficult themes. While it may not be easy to watch, this is a potent drama with solid writing. It’s a sweltering summer in Redhook, Brooklyn, and the Trout family is staring down the poverty line when the man of the house can’t seem to find work. He’s desperately looking for anything he can get in order to provide income to his family, but it’s not making things any better for the others who share the apartment. Tensions are heightened when their estranged son returns after being away for over a decade. It’s an ominous reunion that brings painful, long-buried memories to the surface. The story takes place around the family’s kitchen table as they deal with old (and new) wounds that run deep. From far-reaching guilt and regret to alcoholism and debt, this isn’t the type of movie that makes you feel good. But by exploring tough issues like the underlying trauma of this American family, Fields paints an honest portrait of working class struggles. This is a conversational drama with effective writing and intelligent verbal exchanges between the characters. The cast is terrific, and their performances complement the dialogue. There’s no action, only words, which means the screenplay and the actors are called on to do most of the heavy lifting. Fields sets the mood with a haunting score and handsome directing, and the cinematography has a noir-ish quality that fits the material well. The film could benefit from a quicker pacing, but “Brutal Season” completely achieves the tone it was going for.
Two detectives are tasked to investigate the murder of an old man, found bludgeoned to death in a Tokyo rail yard.
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.
The Worth Family has been divided for years but when the matriarch, Grandma Mabel dies suddenly, the family has to come together. The story of Family Squares takes the Worth Family on a journey discovering that not only did Grandma Mabel keep some secrets, so did everyone else. They find their way back to each other and realize that while you can’t choose your family, you can choose to be friends with them.
Erratic messages from her dad sends Jo deep into the California desert to sort through the remains of a frenzied, paranoid manic episode. However, along the way she makes two discoveries: her family can no longer support him, and the trunk of his car is filled with hundreds of slippers.
On Junior’s nineteenth birthday, his father Uzu pays a surprise visit at his department, and discovers that Junior has not only been skipping classes but also running a comics blog. Uzu gives an ultimatum between his dream or the law degree and familial support. Junior chooses the former, so Uzu sends him packing. That was the last time Junior’s family saw or heard from him.
Maria, Pinuccia, Lia, Katia and Antonella are five sisters who live in an apartment in Palermo. They make a living by renting doves for ceremonies. On a normal day at the beach, tragedy strucks.
Three rebellious governesses upend the household they work in - inspiriting the minds of the males in their care, igniting the imaginations of the bohemian couple who employ them, and abandoning their charges for erotic adventures.
