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Jason 6: Welcome To Camp Blood! An absolute hoot of a addition to the Friday 13th franchise. As is often the way with the "Friday" sequels, you can talk to one horror fan and this is the worst of the bunch, talk to another and it's the best etc etc. There's a more airy touch here and it serves the formula well, which if the series' fans are honest, is a formula that was getting stale quite early in the chain, so any sort of new ideas or direction is most welcome. After a glorious James Bond parody opens the credits sequence, accompanied by Harry Manfredini's superbly thunderous musical score, we get long running tormented character Tommy, here played by Thom Matthews, digging up Jason Voorhees' corpse so as to make sure the evil one is dead - oh and to kill him again. Enter a glorious Frankenstein homage (cheeky steal if you like) that sets us up for another round of stalk and dismember as Jason heads back to Camp Crystal Lake, which is now called Camp Forest Green! The kills are not particularly inventive, but there's a real thud of humour about much of them. From an American Express Card to a bloody smiley face imprint, it's clear the makers have a glint in their eyes. We even get an early appearance from Tony Goldwyn, some four years before Ghost would make him a known name. Adding to the quality score, which BTW rattles around home cinema speakers lie a supernatural entity, is Jon Kranhouse's cinematography, which is gorgeous in colour lens selections. All that and you get an Alice Cooper soundtrack as well. From joyful reanimation to a suitably watery finale, this part 6 delivers more than enough to almost make you rush out to rent part 7. Almost... 6.5/10
_Jason Lives_ is the _Friday the 13th_ movie that starts injecting comedy into the franchise, which after 5 movies of more or less the same tone, is understandable. Prior entires have still had fun, but _Part VI_ has multiple, actual jokes. This bugs a lot of people, but me? Not so much. It's definitely not the high point of the franchise, but I still would never skip this one during a marathon. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
***Jason lives again as a horrific zombie, plus Megan (Jennifer Cooke)*** Released in 1986, "Jason Lives: Friday the 13th Part VI" is notable for being the premiere of the zombie Jason as his rotting corpse is resurrected in the prologue indirectly through the actions of Tommy Jarvis and a friend who recently got out of a mental institution. This prologue also shows that Tommy didn't murder Pam at the end of Part V and that he was simply experiencing hallucinations from his trauma with the diabolic Voorhees spirit. Another difference with Part VI is that we finally get to see a busload of kids, children, at Crystal Lake, although they changed the name to Forest Green. Tommy runs to the local police to inform them that Jason has been resurrected but the sheriff, of course, doesn't believe him (would you?). His hot daughter, Megan, is attracted to Tommy and, when the bloody body count rises, the sheriff realizes that Jason is indeed alive. Tommy Jarvis is played by Thom Mathews rather than John Shepherd, who was excellent in Part V. Thom is a worthy replacement, but I prefer Shepherd's brooding charisma. The film features one of the best Friday girls in Megan, played by Jennifer Cooke, although Pam from the previous film is my favorite. Other than that, though, the females in Part VI are rather weak, although the redhead in the Volkswagen is notable (Nancy McLoughlin). The campiness of Part III and Part V returns for this installment, particularly with the goofy paintball warriors and the graveyard caretaker. But “Jason Lives” is noticeably superior to Part III and shares the kinetic vibe of Part V. As far as locations go, Part VI returns to the East for filming, being shot roughly 40 miles East of Atlanta in Covington & Rutledge . BOTTOM LINE: You either like the Friday the 13th series or you don't. Part VI is another retread of the same Friday formula with the entertaining spirit of Part V and the distinction of Jason now being totally inhuman, a horrific zombie; not to mention the addition of children at the camp. It also has a better story than parts III and IV with the sheriff and his daughter & Tommy going after Jason, plus Megan is one of the top Friday girls in the series. The film runs 91 minutes and the cut version 86 minutes. GRADE: B/B-
Going through the F13 franchise again, skipping Part V since I just watched an online review (and remembered not caring for it much), and this one was... odd. Went full on with the cheese which makes sense since Jason is brought back to life through the dumb ass decision by Tommy Jarvis to not only dig up the grave but stabbing the corpse with an iron post, he was just asking for trouble (and running into the sheriff's office yelling like a psycho didn't help). I did like the female lead but everyone else, including Thom Matthews, was a bit bland. **2.75/5**
Mira inherits a building full of secrets and mysterious new friends. Will she survive long enough to uncover her family's dark past, or will her friends draw her deeper into her new fate?
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
The Zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
French nuclear tests irradiate an iguana into a giant monster that viciously attacks freighter ships in the Pacific Ocean. A team of experts, including Niko Tatopoulos, conclude that the oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan as the US military races to destroy the monster before it reproduces and it's spawn takes over the world.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
With personal crises and age weighing in on them, Riggs and Murtaugh must contend with deadly Chinese triads trying to free their former leaders from prison and onto American soil.
