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Good Danish black humor.
Adam's Apples is simultaneously a deconstruction and a satire of the Book of Job; the former because it recognizes and highlights the underlying black humor in the biblical text, and the latter because it rightly points out that more than Job’s patience, we should talk about his madness. Danish priest Ivan (Mads Mikkelsen) is both jobian and quixotic (the costume department deserves a pat on the back for making him look, in his priestly garb, like the subject, thought to be Cervantes, of a portrait attributed to Juan de Jáuregui), his insanity the only thing that makes his crappy life bearable. In a stroke of genius, the film explains Ivan’s pollyannish disposition with the pythonesque “Ravashi Syndrome” (“Ravashi was an Indian footballer who lost both feet in a go-karting accident in 1957. In shock from the accident he ran home on the stumps of his legs. His brain blocked out the fact that he had no feet. For two months he went to practice. He kept his midfield position”; “With no feet?”; “It was a bad team. They were in the fifth division or something like that”). Mikkelsen is pitch-perfect as the clueless Ivan, deadpanning his way through outlandish dialogue and somehow making it sound earnest (in one the film’s funniest moments, he tells the titular Adam – a neo-nazi sent to Ivan’s rehabilitation program for parolees –, in reference to a picture of Hitler: “handsome man. Is he your father?”). Ulrich Thomsen is also very effective as the perplexed and ambivalent Adam, of whom Ivan brings out the best and the worst – for example, taking Ivan to the hospital every time Adam beats the crap out of him. In general, Ivan takes more physical punishment than any normal human being could survive, but then we’re not meant to take the movie literally (making it easier to laugh at the character’s sundry hardships and tribulations). Like the biblical book from which it draws inspiration, Adam’s Apples is a parable, though not of the ‘in God we trust’ variety. It'd be tempting to dismiss Ivan as a victim of fanaticism if the filmmakers didn't offset him with the equally fanatical Adam. It’s clear that Ivan's pathological faith is not the answer to life’s problems, but the solution does not lie in Adam’s misanthropic nihilism either. The ideal is to find common ground, which Ivan and Adam do when they visit and comfort a dying old man haunted by the memory of his days as a guard in a concentration camp.
What a strange film... a very good one, mind you. The cast do great work in this 2005 release. Mads Mikkelsen being the obvious standout - top performance! Ulrich Thomsen doesn't really do all that much necessarily, yet still manages to make a big impact with his showing - amusing, by the way, how much hair can change the way you see someone, that ending is quite the mild cranium contort*! I'm not really all that sold on what the film attempts to tell, but I can't deny that I had a pleasant time watching it all unfold. I wouldn't actually say it features that strong humour, perhaps some of it was lost in translation (Viaplay's subs were iffy in patches), but all that's there is enough. There is one joke at the death that is probably one of the most insulting, hitting both racist and ableist, that I've ever heard - black comedy, I know, I know. Aside from all that, final notes: sound and cinematography - super atmospheric in parts. Would I recommend 2005's 'Adam’s Apples'? Ja. *did i find that phrase on google for a more polite way of saying mindf#k - maybe
A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.
Two fugitives land in hot water when they take a hostage who poses a threat to their well-being.
Sylvia Stickles runs a convenience store with her husband and mother-in-law. One day, Sylvia is hit on the head and transforms from an uptight prude to a sex-crazed lunatic. As she goes on a rampage through town, Sylvia attracts the attention of Ray Ray, a sexual healer and tow truck driver in search of the world's greatest orgasm. Their sexual revolution, however, causes a class war in their tiny Baltimore community.
A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States.
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
Venerable newscaster Norm Archer reports the latest news in politics, health, culture and entertainment - such as an automotive recall of decapitation-inducing "Neckbelts" and a study finding that "depression hits losers hardest". This compilation of bogus news stories, celebrity profiles, movie trailers and skits come courtesy of the ace satirists at The Onion.
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
Haridas (Thyagaraja Bhagavathar) is a vain individual who spends his life in luxury and lust ignoring his wife (Vasanthakokilam). But when his wealth is appropriated by a courtesan (T. R. Rajakumari), he realizes life's realities, reforms and spends the rest of his days serving his parents and God.
A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.
Through a grey blanket of clouds, we barely discern the contours of Mount Fuji, a volcano with many faces. 4,500 exceptional and diverse photographs from the past 150 years form the basis for Ascent. Made entirely with stills, it is a filmic experiment balancing between documentary and fiction, photography and film, where an English woman and her deceased Japanese partner, Hiroshi, lead the way. As Mount Fuji is climbed across geographical, temporal and cultural divides, the narrative unfolds, exploring unexpected paths.