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First anthological short from Pett Kata Shaw. Based on the popular myth that witches can visit when one is cooking fish.

Second anthological short from Pett Kata Shaw. Based on the folklore that Jinns are attracted to sweets and invade sweet shops at night. A Jinn appears to sweet shop named 'Mishti Kichu' and asks for sweets to its forgetful owner.

The third anthological short from Pett Kata Shaw. One day while wandering around, a couple reaches a village from where every Bengali superstition originated. A boatman and an old woman start telling them the stories behind the superstitions. Each story behind each one is weirder, more bizarre than the other.

Muezzin Siddiq of a local mosque in Manpura Island discovered the body of a prostitute on the floor of his house in the early morning. Siddiq does not think about how this body came to his house. In this village, Siddique has no one to call his own except the Imam of the mosque. Siddiq goes to tell him, but can't say anything out of fear and shame. What will Siddique do with this body?

Bagher Bachcha, a group of masked robbers. They attack corrupted people and unmask them. Is "Bagher Bachcha" a threat or a saviour? Who are they?

Suddenly orphaned by the loss of her single father, 11-year-old Harper is sent to live with her alcoholic aunt on a dilapidated family farm. Just as she begins to settle into her tumultuous new home, her life is torn asunder once again when her wealthy socialite mother who abandoned her at birth reappears to claim Harper for her own, selfish reasons.

Set within the aftershocks of South Africa’s Apartheid, a gay farmhand writes letters to his lover.

A young, restless Jewish mother and her family move to an idyllic country property at the base of a mystical and sacred Aboriginal mountain (Gulaga, or “Mother Mountain”), with the hope of starting a new life. Still haunted by a marriage break-up and a strained relation with her parents, she struggles to find a meaningful connection with her new partner. When her daughter is bullied at the local school, an enigmatic Indigenous boy Ren comes to her aid and opens her eyes to the magic of the mountain and its bucolic surrounds. But an unexpected visit from her parents reopens old wounds, with unexpected consequences.

It is a screen adaption of the cognominal short story of Olha Kobylianska in which the struggle of the educated women with the bourgeois manners is described. Three girls from one family are very interested in the art and are going to devote a lifetime to it. But it is the beginning of the 20th century with all peculiar to that time disadvantages, and the way to the success is bestrewed with the difficulties.