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Glorious Southern Gothic Delirium. Hush…Hush, Sweet Charlotte is directed by Robert Aldrich and written by Henry Farrell and Lukas Heller. It stars Bette Davis, Olivia de Havilland, Joseph Cotton, Agnes Moorehead, Cecil Kellaway and Mary Astor. Music is by Frank De Vol and cinematography by Joseph F. Biroc. It’s 1927, the Louisiana plantation home of Sam Hollis (Victor Buono), and Charlotte Hollis (Davis) is having an affair with a married man, John Mayhew (Bruce Dern). After a heated argument between Sam and John, John is brutally slain by an unseen assailant, only Charlotte appears on the scene covered in blood. Then it’s the present day and just Charlotte and her house keeper, Velma (Moorehead) live at the Hollis mansion, Sam having passed away many years ago. Charlotte is mentally scarred from the echoes of the past, she’s a recluse and seen by the townsfolk as the local mental case. As developers try to plough a road through the Hollis home, Charlotte sends for her cousin Miriam (Havilland), but then strange things start happening and Charlotte might once and for all tip over the edge. A bit long at 2 hours 13 minutes and a bit too bonkers at times, Hush…Hush, Sweet Charlotte still comes out as glorious Guignol entertainment. The setting is perfect, a Baton Rouge locale of whispering trees and ominous foliage, the Hollis mansion a place of dark secrets, shadowy halls and mental disintegration. Biroc’s black and white photography seems to revel in the misery and emotional turmoil that blows about the place, and the brilliant Aldrich unleashes delirious turns from Davis and Moorehead as the others play perfectly restrained foil. There’s a strong mystery element driving the plot forward, because what we think is true may not actually be the case? The narrative deftly reveals back stories as film progresses, hints at means and motives dangle tantalisingly in the Gothic tinged air, and then the finale doesn’t disappoint, it has some surprises in store and closes the picture down handsomely. Best served with a good helping of Sour Mash, Hush…Hush, Sweet Charlotte is Southern Gothicana with bells on. Or should that be Belles? 8/10
Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, Chuan says, “I saw this body was empty, so I moved in.
A dim-witted yet kind-hearted boxer, Terry Malloy, who failed to succeed unintentionally lures a man to his death after being tricked by a criminal called Johnny Friendly whose men pick of every man who has the courage to speak up to their crimes. As he works on the waterfronts that Friendly owns, he is sent to a church meeting run by a good preacher about how to deal with the problem and runs into the dead man’s sister. Slowly, he falls in love with her and begins to feel guilt about his crime.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
A fading southern belle tries to build a new life with her sister in New Orleans.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
After a serial killer strangles several women with a necktie, London police identify a suspect—but he claims vehemently to be the wrong man.