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Believe me, nobody was more surprised than I was to see this film come out so well. In the past I have been one of Keim’s harshest critics. I’ve found his films disappointing, amateurish, there are some I have felt would be better left unfinished. Then, about two years ago, he released The Tax Evader. It was nothing groundbreaking, but it showed definite promise. Promise that Keim might have some filmmaking talent. But he would have to wow me in order to gain my trust as a filmmaker. And wow me he did. This latest foray into the universe of tax evasion is truly a sight to behold. The cast of characters has been expanded and the film itself is a much deeper experience. Where the first Tax Evader film was little more than a series of jokes about taxes, this installment builds upon that foundation not only in the department of comedy, but in story as well. The plot is filled with rich themes, compelling character moments, and real growth. Plus, some light political themes to think about. The only part of this film that was less than great was the technical aspect. Most shots just consist of a character’s face as they talk, and characters are never seen on screen together. However, when understanding the conditions under which this was filmed, these aspects make a whole lot more sense. This film was almost entirely a one-man production by Brian Keim. All the acting, directing, camerawork, editing, lighting, EVERYTHING, was his work. And the man had hardly any equipment, most scenes were shot by Keim holding his iPhone in his hand pointed at his face. So while it’s safe to say that the technical aspects were lackluster, Keim definitely did the best with what he had. But the technical intricacies are really a minor point. This is a wonderful cinematic experience and I absolutely can’t wait to see what Keim has in store next.
It's dope.
When three friends who live together realize that they don't like their life trajectory, they set off to find a gold treasure that is rumored to be buried in the nearby mountain.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Meet Zach. Nice guy. Terrible taste in women. They leave him, but they never forget him. He's heading into the next bad break-up when the newest fad in H2O drinks starts turning his ex girlfriends into zombies who have one idea - getting back together with Zach! Three friends must stop the Ex's and save the world.
A police brigade and a financial brigade are sent to Switzerland to dismantle a banking sector.
Ever since US Diplomatic Security Service Agent Hobbs and lawless outcast Shaw first faced off, they just have traded smack talk and body blows. But when cyber-genetically enhanced anarchist Brixton's ruthless actions threaten the future of humanity, they join forces to defeat him.
Despite obvious differences, easy-go-lucky kitchen naive Ronnie (Zanjoe Marudo) and chef restaurateur Benjie (Empoy Marquez) have been best friends since high school. When Benjie decided to put up his own restaurant La Luna Sa Hungry, Ronnie has never left his side – especially now that Benjie has joined in the shady “Kusina King Challenge” to save the restaurant.
Stuck on the side of the road on their way to a social distance party, two contact-starved millennials try not to connect on an intimate level in this Reform Jewish absurd comedy about grief, changing plans, and the lengths we'll go to avoid direct communication with the people we love.
Two out-of-work actors - the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail - spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
Scott Turner has 3 days left in the local police department before he moves to a bigger city to get some 'real' cases—not just misdemeanors. When Amos Reed is murdered, Scott sets himself on the case, but the closest thing to a witness to the murder is Reed's dog, Hooch, which Scott has to take care of—to avoid Hooch being 'put to sleep'.
The dark comedy Fish'n Chicks, is the story of two close friends who embark on a fishing excursion. During the course of the day the two young men brag about their past sexual exploits, but a surprise revelation forces them to re-evaluate their friendship. George (MIKE DUFAYS) is a boisterous, irreverent young man with a penchant for the abrasive, who organizes a "guys-day-out" with his friend, all the while pursuing a secret agenda. Arnold (MARK TYLER) is George's equally foul-mouthed friend who often demonstrates a somewhat conscientious nature when sharing anecdotes relating to his sexual escapades. Through a series of flash-backs, we learn more about the characters but, in the surprise ending, we realize that not all is what it seems. Fish'n Chicks is an edgy rendition of the mystery which is male bonding and a glimpse into the lengths some are willing to go to in order to mend a broken ego.
Nerdy accountant Harold and his irrepressible friend, Kumar, get stoned watching television and find themselves utterly bewitched by a commercial for White Castle. Convinced there must be one nearby, the two set out on a late-night odyssey that takes them deep into New Jersey. Somehow, the boys manage to run afoul of rednecks, cops and even a car-stealing Neil Patrick Harris before getting anywhere near their beloved sliders.