Queer 2024 - Movies (May 30th)
Bring Her Back 2025 - Movies (May 30th)
Daylight to Dark 2024 - Movies (May 30th)
Into The Gravel Pit 2025 - Movies (May 30th)
Invader 2024 - Movies (May 30th)
iPossessed 2025 - Movies (May 30th)
Dr. Sanders Sleep Cure 2024 - Movies (May 30th)
Gates of Flesh 2025 - Movies (May 30th)
Hook 2025 - Movies (May 30th)
Guardian 2025 - Movies (May 30th)
Greet Your Demons 2025 - Movies (May 30th)
Blue Rodeo Lost Together 2024 - Movies (May 30th)
Dont Make a Sound 2024 - Movies (May 30th)
The King of Kings 2025 - Movies (May 30th)
Alien Love 2024 - Movies (May 30th)
Cara 2024 - Movies (May 30th)
Bono Stories of Surrender 2025 - Movies (May 30th)
Lulu Is a Rhinoceros 2025 - Movies (May 30th)
Bad Things 2024 - Movies (May 30th)
A Hell of a Difference 2024 - Movies (May 30th)
Blood in Them Hills 2025 - Movies (May 30th)
Deadline- White House - (May 30th)
Gogglebox - (May 30th)
The Young and the Restless - (May 30th)
The Bold and the Beautiful - (May 30th)
Have I Got News for You - (May 30th)
Millionaire Hoarders - (May 30th)
Malta- The Jewel of the Mediterranean - (May 30th)
Gary Barlows Wine Tour - (May 30th)
Killers- Caught on Camera - (May 30th)
Claire Hoopers House of Games - (May 30th)
Sesame Street - (May 30th)
Family Guy - (May 30th)
The First 48 Presents Critical Minutes - (May 30th)
Not Her First Rodeo - (May 30th)
SurrealEstate - (May 30th)
100 Foot Wave - (May 30th)
And Just Like That… - (May 30th)
Lets Make a Deal - (May 30th)
The Price Is Right - (May 30th)
The Beat with Ari Melber - (May 30th)
Night of the Living Dead is without a doubt a fantastically innovative film; creating the modern day interpretation of a zombie and forever changing the genre as we know it. There is a lot to like about this film, but unfortunately the limitations of its time hold it back, resulting in a somewhat boring viewing experience. For starters, the story was pretty good. I really enjoyed how the plot focused on a single group of survivors and their thought process as they attempt to deal with the horror and panic of the dead reanimating. There was a tremendous amount of lore delivered via telecommunication broadcasts that I thought added to the movie perfectly. The performances were uneven, some were quite stellar, particularly Duane Jones and Karl Hardman. But Judith O’Dea was quite bad. I’m not sure if it was her performance or the way her character was written but it was just bizarre to see her body language and gestures throughout the film. The beginning chase scene with her was fantastic, with some stellar cinematography. But after that, the way she portrayed shock was laughable. The action in this movie was bad, with punches being all too slow and clunky. I would imagine this movie was quite scary for the time, but with modern day horror constantly elevating, I hardly found myself unnerved. Overall, this movie is Time Capsule for horror and the genre has taken so much from this film throughout the years, but unfortunately it’s legacy far outweighs the entertainment the film brings. Score: 54% | Verdict: Average
**The film that practically founded the zombie subgenre.** As I've said on other occasions, I'm not a fan at all of films about zombies and similar creatures. It's a type of horror cinema with a strong graphic appeal that doesn't really captivate me. However, I confess that I liked this film. It is much more moderate in its approach to these types of monsters, and effective in building tension and suspense. It's not scary (I believe it was very scary at the time, but these are different times), but it's entertaining. The story told doesn't give us much explanation: we see two brothers who visit a grave in an isolated cemetery and, upon returning to the car, they are chased by what looks like a very disturbed man. It's obviously a zombie, and we know it, but the characters don't know and are extremely confused by what happens next: a growing group of zombies attacks them and forces them to seek shelter in a nearby house, where shortly afterwards they realize that they are not alone and, thanks to radio and television, that the problem is not just there, but it's national. George Romero was very intelligent in the way he conceived and wrote the film, which is an entirely independent production and the result of the ingeniously of everyone involved. It is an innovative work, it was one of the first films to bring zombies to the horror universe and the influence of “Carnival of Souls” is very clear in the cinematography, in the way the sound and soundtrack were worked on. The short budget forced the production to be very pragmatic and efficient, to do a lot with little and prioritize credibility and authenticity. I would like to highlight some effective effects such as the flesh eaten by zombies, fake blood and Molotov cocktails. The design of the sets and choice of filming locations is also to be congratulated. The cast has a few points in its favor, but it is essentially amateur and only tries to do what has to be done. Despite being a minor issue and not usually subjected to reflection, it seems significant to me to highlight the choice of a black actor for the main role. Duane Jones, in the film of his life, does a very well done job, with great commitment and that fulfills everything necessary. Karl Hardman is just annoying and the two actresses, Judith O’Dea and Marilyn Eastman, don’t really add anything positive to the film, simply appearing helpless the whole time.
"Barbra" (Judith O'Dea) and her brother are laying some flowers at a cemetery when they espy a man wandering around aimlessly. He suggests it's really a zombie and boy how right he is. She manages to flee to their car but, oh, only if she could have just steered the thing - we might not have had a film! She hits a tree, though, and now dazed and suffering from shock has to take shelter in a nearby house where she gets an hint of what's marauding around outside. Luckily, "Ben" (Duane Jones) also finds the house and with a few emerging from the safety of it's cellar, they proceed to fortify the place as best they can and sit it out. It's soon clear from the television and radio reports that this is an epidemic and that those critters are resurrecting themselves and eating their victims. "Tom" (Keith Wayne) and girlfriend "Judy" (Judith Ridley) decide their best hope is to get the truck parked outside gassed up so they can all escape to the nearest town - but will that work? This film is almost as old as I am, and I am afraid to say it hasn't really aged an whole lot better. Much of the sense of peril comes from the frantic dialogue at the start and the scary elements are now more comical than menacing - especially towards the end. The regular use of the television reportage is useful at first but then seems more designed to pad out this thin story for a ninety minutes that I felt looked more like a TV movie that was just too contrived. It was good to see it on a big screen, but I really don't think I'd bother to watch it again.
After years of separation, Irena Gallier and her minister brother, Paul, reunite in New Orleans. When zoologists capture a wild panther, Irena is drawn to the cat – and zoo curator Oliver to her. Soon, Paul will have to reveal the family secret: that when sexually aroused, they revert into predatory jungle cats.
A ragtag group of strangers barricade themselves in an old farmhouse to remain safe from a horde of flesh-eating ghouls. A re-imagining of the 1968 George A. Romero horror classic.
Advent follows Tommy and John who are having a sleepover to try and fix their friendship that is falling apart. Little did they know, one of them is infected with a virus.
Three film directors make a documentary about the undead in an invested world, he filmed in a time of real zombies. The crew filmed the backdrop of the zombie apocalypse, the real zombie invasion is underway
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?
Michael returns to Haddonfield for Jamie Lloyd – the orphaned daughter of Laurie Strode – and her babysitter Rachel. Can Dr. Loomis stop him before the unholy slaughter reaches his innocent young niece?
In a flooded future London, Detective Harley Stone hunts a serial killer who murdered his partner and has haunted him ever since — but he soon discovers what he is hunting might not be human.
In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into "Super Zombie Strippers" the girls struggle with whether or not to conform to the new "fad" even if it means there's no turning back.
A terrified group of college film students record the pandemic rise of flesh-eating zombies while struggling for their own survival.
With Prom only hours away, the usual suspects of Cosa High (Cheerleaders, geeks, bad boys and the happy-go-lucky student council alike) are preoccupied with the annual rituals of teendom. On the night of the big dance when the dead unexpectedly rise to eat the living, polar opposite groups will be forced to unite in their final chance to save the town from the zombies.