Fim de Semana no Paraíso Selvagem

Mariana revisits a trunk of letters that Ricardo, her father, sent to Alfa, her mother, in the 90s when he lived in Canada. Now that her father has left the country again, Mariana seeks answers about the evolution of her parents' love through an emotional encounter.

About to turn 100 years old, Santo Amaro School closed its doors in 2020, amid the pandemic, leaving former students in deep sorrow. The story of the school is now told by different generations of students, teachers, nuns and employees, who return to the school building to remember their time over there: an unreachable past, which, through memories, becomes present once again.

The end of a friendship between two fellow musicians torn by the harsh realities of adulthood in the Puerto Rican art scene.

Based on real events from 1983; DC Peter Finch is awarded a medal for the courage he showed in arresting a dangerous criminal. Meanwhile transvestite David Martin is released once again from prison - he's provocative and aggressive and, when he's caught again during a burglary, he shoots one of the police officers, leading to a nation wide manhunt. Innocent filmmaker Steven Waldorf is subsequently shot as a suspect by Finch, provoking a national scandal that rocks the police force.

A teenage girl seeks, under any circumstances, to achieve her dream of being a musician.

A new government takes power with a drastically reduced majority. But the ambitious young Home Secretary has a plan to bring the legal establishment to heel and bypass Parliament altogether. Anthony Andrews says of writer and barrister John Cooper (who wrote the ITV series The Advocates): "John is writing about a world he knows intimately. It is a most original and exciting screenplay and extremely prescient in view of the current controversies surrounding the judiciary." Producer Simon Passmore Director Jim Goddard

In the war-torn Netherlands, a local Jewish boy has vivid escapist fantasies of being in a Hollywood western where good always triumphs.

Simon Willerton's suicide in 1990 brought to six the number of young prisoners who hanged themselves in British prisons in just over six months, prompting public debate over conditions in remand prisons like Armley where overcrowding was so severe that no new inmates could be admitted. Simon faced a burglary charge over the theft of a hot-water bottle from an unoccupied flat. Less a hardened criminal than an immature, gawky teenager who never fitted in, Simon and his tragic death inspired this teleplay.

Theater and film actor, Mykola Veresen' dies on the set while performing the role of Ivan the Terrible. In the moment of death, his karma transforms into the bloody murderer he embodied, and he falls into Sheol, a common grave for all the dead. The time has a different flow here, the only feelings left are fear and pain. In hell Mykola learns about the confrontation that last for centuries between the white and black vampires, he becomes a puppet in the cruel guerrilla of these two supernatural groups.

A veteran general, living poorly but honestly with his wife and his daughter, is visited by his future son-in-law who informs him that he is going to immigrate to Australia. On the same day, his cousin Apostolos pays him a visit as well and tells him that the government intending to honor him has decided to construct his statue and place it at the small square in front of his house.

A being's emptiness is represented in this short by a marriage that cannot escape the vicious circle they are locked in, product of the irrationality of a society predestined to survive by the grace of money and not their emotional, cultural or identity attributes.