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**A Pharaonic work that went terribly wrong.** Have you ever tried to do something extremely complicated and ambitious and failed because of the enormity of what you were trying to do? I bet that even those to whom this has never happened will be able to name some examples: Pharaonic public works that went wrong or never came to fruition in full, private projects and companies that failed because of their own mistakes. There will be no shortage of examples, and I think we can add this film to that list, since the main flaw stems from the ambitions of its creator. Wim Wenders is one of the great German directors of our time and no one can deny him this merit, not even those who don't really appreciate his style, or who criticize him (with some propriety) for having transformed, in recent years, into that kind of director that he criticized at the beginning of his career. However, what he wanted to do in this film was a task far beyond his capabilities and ingenuity. An epic lasting more than twenty hours that was condensed into a summary of three and a half hours and, years later, partially restored in the form of the “director's version”, lasting almost six hours. I made the mistake of trying to see precisely the latter, believing that I was seeing the version closest to the creator's vision. However, what he gives us is so uninteresting and so confusing that I wasted my time. The story begins with the threat of an Indian nuclear satellite, which will crash to earth, and then introduces Claire, a young woman who seems to be looking for a direction in her life in the midst of a futile existence. After a car accident in which she meets two bank robbers, she agrees to take the stolen money to Paris, in exchange for a percentage. In the midst of this, she helps a mysterious man who appears to be fleeing from a murderer and who steals some of her money. Committed to recovering him, she follows him around the world and ends up hiring a private detective. As I believe you can already understand from this summary, the plot is not devoid of good ideas and had potential. With the characters always on the move, traveling the world, the film is not monotonous and has some potential for light comedy (although Wenders' humor is completely German, and we know what that means). However, the film gets lost in constant twists and turns that go nowhere. Circulating from one country to another, the plot wastes hours of our lives in a story without substance or content. Wenders doesn't spare us and gives us long scenes where the characters drive cars, walk or make phone calls. He looks like a five-year-old kid who starts telling his parents the most complicated story just to ask for a toy he saw in a store. This is what ruins the film and makes it unbearable. Oh, and of course, the issue of the falling satellite ends up completely forgotten in all this. The production values are quite good considering it's a European film and the millions from the Hollywood machine are absent from the equation. Wenders managed to create some somewhat futuristic elements such as public telephones with video calling or police motorcycles with a bold and bizarre appearance. The urban settings seem hostile, with all sorts of trash and graffiti. The cinematography is magnificent, and the director makes the most of it, as is usual in the films he makes, but on the other hand, the soundtrack is virtually inaudible and does not add any quality to the final work. Solveig Dammartin was a good choice for the main character. She is elegant, and gives her character a special charm throughout the film. Unfortunately, she can't do miracles with the material given to her. Sam Neill also makes the most of the occasion in the best way he can, but the film is far from being one of the best of his career, and the same can be said of William Hurt. Both are committed, and the work of this trio of actors ends up being the most redeeming value that the film has to present to us. Unfortunately, they are stuck with the incoming material, which completely kills their efforts.
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives. Along the way, both women rediscover the strength of their friendship and surprising aspects of their personalities and self-strengths in the trying times.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.
A cross country trip to Hollywood is cut short by an unreliable engine & an unpleasant encounter with law enforcement. With the power of drag, three self proclaimed career-girls bring a bit of much needed beauty to rural middle America!
After an Ithaca College student films his one-night stand with a beautiful sorority girl, he discovers one of his friends has accidentally mailed the homemade sex tape to his girlfriend. In a frenzy, he must borrow a car and hit the road in a desperate bid to intercept the tape.
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
A brand-new Top Gear TV special to celebrate the launch of the seventh season of Top Gear France! This time, a fourth host joins your beloved trio, and they're headed to Corsica!
After breaking up with her girlfriend, a nightclub singer, Jane, answers a personal ad from Robin, a real estate agent with AIDS, seeking a cross-country travel partner. On their journey from New York City to Los Angeles, the two stop by Pittsburgh to pick up Jane's friend Holly, who is trying to escape an abusive relationship. With three distinct personalities, the women must overcome their differences to help one another.
Still grieving after the murder of her boyfriend, hairdresser Justice writes poetry to deal with the pain of her loss. Unable to get to Oakland to attend a convention because of her broken-down car, Justice gets a lift with her friend, Iesha, and Iesha's postal worker boyfriend, Chicago. Along for the ride is Chicago's co-worker, Lucky, to whom Justice grows close after some initial problems. But is she ready to open her heart again?
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.