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The Chocolate Queen - (Nov 5th)
The Voice - (Nov 5th)
The Overlap On Tour - (Nov 5th)
Return to Las Sabinas - (Nov 5th)
Ancient Aliens- Origins - (Nov 5th)
Hoarders - (Nov 5th)
Jesse Watters Primetime - (Nov 5th)
Gutfeld - (Nov 5th)
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The One Show - (Nov 5th)
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The Yorkshire Auction House - (Nov 5th)
Love Island Australia - (Nov 5th)
Outnumbered - (Nov 5th)
Special Report with Bret Baier - (Nov 5th)
The Five - (Nov 5th)
The Ingraham Angle - (Nov 5th)
Hannity - (Nov 5th)
What We Do in the Shadows - (Nov 5th)
Well scripted, well performed, well staged. A round movie with a fantastic Mads Mikkelsen. Honestly, I think this movie would have been even better with some more minutes on it to develop the plot even further. Fantastic directing.
Viewers beware: this is not an easy or light watch. Mads Mikkelsen absolutely kills it as a somewhat lonely single man, who suddenly finds love and welcomes his son to live with him. That's all I'll reveal in the review, no spoilers here. But again, this isn't a light film, nor should it be. This tackles the subject matter with the poise it deserves, with stunning performances from Mads as well as the entire supporting cast. The script and cinematography lend themselves perfectly to the task at hand, delivering a well-crafted portrayal of love, friendship, and ruin. Excellent.
Happy to file this one under 'Films I Evidently Didn't Get'. [Edit: I can't lie, I'm absolutely waffling below. Apologies in advance and totally feel free to ignore, I just typed whatever came into my head because I'm simply so unsure about this. I've articulated myself awfully I'm positive, way too many paragraphs and all that but hey-ho.] I don't even know where to start with 'The Hunt', I'm finding it difficult to seperate my thoughts. On the one hand I dislike a lot about this, from the writing to the pacing to the supposed message of it and from the clearly phenomenal acting. I usually solely focus on my own opinions and type up my review before reading others', but every now and then a film comes along that I just don't get and when it's one with surprisingly (to me) high acclaim I have to read other reviews to see if I've just simply missed something glaringly obvious - which is, even now, entirely possible, don't get me wrong. However, the vibe of a handful of reviews on here I've seen is either hate the kid(s) or hate the people for believing the kid(s)... surely that's not the point of the film? I'm aware this is perhaps too UK-centric a reference, but if that is the case it is giving major Tory/Brexit/GB News vibes. As in, it's (hate this word, but...) some sorta 'wokery', we must get rid of cancel culture and all that stupid rhetoric. Pre-reading reviews, I just simply didn't understand what the film was trying to say... and even by stating whatever, why it went around the houses for nearly two hours and then proceded to not even wrap it up. I personally found it exhausting to watch, I admittedly don't tend to enjoy films that attempt these sorta 'smart' open-ended endings. If all the film is trying to say is that people can sometimes be falsely accused and have their lifes ruined by mob mentality, then fine... but I'm not sure using child abuse is quite the way to portray that idea. It's hardly a regular real life occurrence of children (very young children, at that) ruining grown mens lifes with sexual assault claims, is it? That's what I mean with what I said three paragraphs back, it's like you see on social media when a well known person is alleged to have done something serious and you get that section of people who immediately hate the likely victim for no reason. Now, perhaps I'm unsure about this 2012 release as I'm judging through my 2023 eyes, as in the aforementioned online rhetoric has murked the waters in terms of what the film is actually trying to say. Nowadays it's closely associated with those who use the terms 'woke', 'snowflake' etc. and that makes me feel uncomfortable, I can't lie. Now, even all that aside, solely as film I still didn't really enjoy it either. The way parts are written and characters act annoyed me, e.g. the shop scene. From them all willing to fight Lucas one second to the next when they're all scared because he head-butted someone; and how they didn't see that coming, or Lucas himself didn't see the initial punch coming. I acknowledge that's a random example, but it kinda typifies how odd the film felt to me at most moments. As I said, I do have one positive and that is the acting - which is truly top notch, frustratingly so if anything as it makes it difficult for me to rate the film. Mads Mikkelsen is truly outstanding, one of the best performances I've seen from him thus far. Thomas Bo Larsen is quality as well. No-one on the cast puts a foot wrong in truth, even youngster Annika Wedderkopp or the more experienced Anne Louise Hassing. I get severely awkward when I'm rating a film so much lower than the majority, which doesn't happen all that often at all but when it does it makes me cringe. I'm just being honest in how I feel though, even if it's totally possible that I've just got the wrong end of the stick completely. If I have, so be it.
"Don't accuse someone of thing with ignorance, you'll regret it later" - Quran
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.
Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.
At 2:37, someone commits suicide in the school lavatory. The day is told up to that point from the viewpoint of six different students.
A film about a pair of sisters, whose parents are divorcing after their father leaves their mother for a younger woman, and who plot together to try to repair their fractured family.
Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.
When two brothers are stranded by a brutal winter storm with an unpredictable father they barely know, the boys begin to suspect their supposed protector may be their biggest threat.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.