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Relishing the freedom to openly be oneself can be a fulfilling and liberating experience, especially for those who have lived most of their lives hiding from disapproving family members and a close-minded society. So it is for Lourenço (Marco Pigossi), a Brazilian transplant seeking to resettle permanently in Provincetown, MA, a goal dependent on him acquiring a work visa to replace a tourist visa that’s about to expire. He has an added incentive to fulfill that objective when he meets and falls for Maurice (James Bland), a vacationer from New York who’s visiting the oceanside resort town before embarking on an ambitious, long-term nursing residency in the wilds of Angola. But can the two would-be lovers make this relationship work in light of the impending changes in their respective lives, geography and careers? What’s more, as this budding romance begins to blossom, Lourenço also wrestles with leftover baggage from an old relationship, unwanted advances from opportunistic lecherous would-be suitors and never-ending pressure from his mother back in Brazil, who is unaware of his closeted sexuality and routinely prods him to settle down and find a wife. While writer-director Marco Calvani capably and sensitively presents a tender, authentic, same-sex love story, the picture nevertheless tells a somewhat familiar tale whose narrative is not particularly original in the annals of LGBTQ+ cinema. It also struggles to blend its own brands of comedy and drama, both of which are handled well in their own right but whose inherent natures frequently come across as too extremely opposed to one another to harmonize in a believable, coherent whole. On top of that, the film also tries to cover too much ground at times, with a number of subplots that could have been easily trimmed or eliminated entirely without causing any undue harm to the picture overall. To its credit, though, this offering sincerely has its heart in the right place, despite the aforementioned shortcomings, backed up by an array of fine supporting performances and gorgeous cinematography showcasing the beauty and character of this charming Cape Cod resort town. Unfortunately, however, “High Tide” is yet another recent release that could have used some significant retooling to help it fully live up to its potential, especially given its predominantly conventional premise. Gay cinema has increasingly been moving forward in new and innovative directions in recent years, so, if filmmakers in this genre attempt to tackle new expressions of tried-and-true formulas like this, they had better have a good grasp of what they’re doing if they ultimately hope to succeed in the end.
It's 1986, tormented teenager Henry is struggling with his sexuality and abusive home life. Henry sits in his closet contemplating suicide. In a flash of light he is transported to 2016 where he meets teenager Ben — now occupying his room 30 years later.
Love Me Anyway is a sun soaked drama about a filmmaker falling for a dreamy surfer, a man trying to save his marriage and a young wife exploring the greener grass of an extramarital affair with another woman.
The son of a wealthy businesswoman returns home from boarding school. His mother, always busy with business and with her ambitious lover, realizes that her son suffers for being a homosexual. Having killed a teacher who abused him, the trauma makes him keep killing.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
Amir and Amat are invited to a trip into the South American rain forest, but the pleasant visit to Bolivia quickly takes a bizarre turn as Amat starts having strange visions and loses his mind over the ghostly presence of a giant blood red ox. Amir must save his boyfriend from paranoia but he will quickly realize he can't trust nothing and nobody - as he might be losing his mind too.
While trying to navigate life as he enters his 30s, Ryan slips further into loneliness. A chance meeting with a friend's boyfriend, Sam, changes that and as they grow closer. Ryan must now come to terms with who he is, and what that means for him.
Follows a freshly-engaged Amar who goes on a trip to London and falls heads-over-heels with Prem, a handsome man whose charm threatens to put Amar's marriage in danger.
In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
The story of Gwen Araujo, a transgender teen who was murdered in California in 2002.
Two great friends meet again after five years. Among so many things that have changed, the resumption of the bond awakens an old feeling for which they remain unprepared.