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All In with Chris Hayes - (Oct 17th)
The ReidOut with Joy Reid - (Oct 17th)
Agatha All Along - (Oct 17th)
The Last American Vagabond - (Oct 17th)
Love Stories in the Countryside - (Oct 17th)
Great Australian Walks With Julia Zemiro - (Oct 17th)
DNA Journey - (Oct 17th)
Aussie Shore - (Oct 17th)
The Beat with Ari Melber - (Oct 17th)
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Into The Jungle With Ed Stafford - (Oct 17th)
Deadline- White House - (Oct 16th)
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Police- Night Shift 999 - (Oct 16th)
Katy Tur Reports - (Oct 16th)
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Grand Designs - (Oct 16th)
Married at First Sight UK - (Oct 16th)
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.
Presenter and comedian Andreu Buenafuente interviews Joan Gràcia, Paco Mir and Carles Sans moments after the conclusion of their last performance at the Liceu Theater in Barcelona, the culmination of their forty-three-year career on stages all over the world as Tricicle, a brilliant, ineffable, unforgettable, irreplaceable comedy trio.
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.
Noel Mason's vaudevillian skills are appreciated by his younger audience, but he is not making enough money at the children's shows to pay his costs, his old car does not go very well, and he is dyslexic and unable to understand the contracts employers give him. The situation starts to look more hopeful when Noel answers a newspaper advertisement to join an entertainment agency.