Jurassic World Camp Cretaceous: Hidden Adventure

"Sometimes you remember things that never happened and people who never existed. These are the stories of some people I think I remember." Family & Friends is a film about remembering.

A new superhero is coming, only this time it's on his terms. Will he still be considered a hero?

A cluster of adult animated shorts by French satirical cartoonist Georges Wolinski.

Animations from a course at The Animation Center - Tel Aviv Cinematheque, winter.

A Scotland Against Drugs public information film.

A very little man attacks two huge feet and fights with all his power against them until his downfall. While dying, he is still convinced that he is the winner. However, the feet continue running like nothing happened.

A black-and-white film that takes an ironic look at alienation between the races and the sexes. It is a mix of cell animation, painting, live action and early Atari computer animation.

It’s a beautiful summer day and Sven is finally going to take the plunge. He’s at the public pool, at the foot of the ladder leading up to the ten-metre board. Today he is going to jump. Now! Or perhaps some chips as a start? And it would be good to take a shower first. But then he’ll be ready, though …? Oh no, the queue behind him is waiting, there’s no turning back. Sven climbs up the tower.

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

The slow construction of an image, to the rhythm of steps, ends when the monster meets his Bride.