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While shooting Gerard Mordillat's film, "Billy ze Kick", Christophe Profit, one of the best climbers in the world, was asked to stand in for an actor. He will, without ropes or belay, climb the smooth side of a 60 meter building.
July 1956: like every summer, the actor and cellist Maurice Baquet temporarily deserts the stage and the cinema studios to go to Chamonix where the mountaineer Gaston Rebuffat is waiting for him. A few days later, the two men achieved a historic first, that of the south face of the Aiguille du Midi (3,842 m), a magnificent wall rising like a rampart above the Vallée Blanche. July 1988: to pay tribute to the memory of his friend Gaston, now deceased, Maurice Baquet once again climbed this wall suspended between heaven and earth with the man who, 50 years his junior, is considered one of his best contemporary mountaineers: Christophe Profit.
As darkness fell on May 10, 1996, a fast-moving storm of unimaginable ferocity trapped three climbing teams on the slopes of Mount Everest. The climbers, exhausted from their ascent to the summit, were soon lost in the dark, in a ferocious blizzard, far from the safety of High Camp at 26,000 feet. This film tells the story of the five climbers who perished in this storm, marking the worst climbing tragedy in the history of Mount Everest. But most remarkably, it's the story of eleven climbers caught in the storm, and eyewitness accounts of their astonishing survival in the world's most unforgiving environment.
Georgian and foreign alpinists make an effort to ascend a high mountain. The weather is inclement making their effort extremely perilous. Every step on the snow-covered trail is precarious. Professionalism, firmness and compassion have far more value than the physical ability.
A documentary which follows the 2004 Catalan expedition that made the second ascent of the ‘Magic Line’ on K2. After the inevitable lengthy battles with weather and adverse conditions, one team member reaches the summit and safely descends the Abruzzi Spur, but for the rest of the team, the retreat back down the Magic Line is a nightmare that ends in tragedy.
In this film, following in the footsteps of Patrick Edlinger, Christian and Olivier build the legendary roof of La Piade (Toulon, France) solo in deep water. Up to 18 m high, the two climbers are keen to work the route without a rope. The Piade site appears in the first minutes of the film “La Vie Au Bout Des Doigts” by Jean-Paul Janssen. At a height of 15m, after several summers of work, Olivier is one of the rare local climbers to have completed this route. Today, it is Christian who is taking on this same challenge. The two climbers are keen to work it without the help of a rope. After each fall, they must start the route from the beginning. Guided by his elder, the film recounts Christian's progression and success on the path. It is also the story of their friendship and the joy they share together, suspended, “at their fingertips”. Determined, Christian works the route in summer, as in winter, despite the sometimes unpredictable conditions.
"La Vie au Bout des Doigts" is a documentary film by Jean-Paul Janssen released in 1982, directing Patrick Edlinger totally living his passion, climbing, which he practices here solo ("with bare hands"), it that is, without a rope or any kind of insurance. The film begins with a session of solo sea crossings on the Piade site near Toulon. In the second part, Patrick Edlinger trains in Buoux before carving a solo route in this now famous climbing site. This mythical film in more than one way is considered the first climbing film, that is to say where climbing is an activity in itself and not a means of preparing for mountaineering. His media success was such that he propelled Patrick Edlinger to the rank of world star, and above all he made climbing known to the general public, and was even nominated for the César for best documentary short film.
A journey at high altitude seen through the eyes of three mysteriously connected hikers. After their coincidental meeting we follow these three on their personal odysseys. The levels of concentration they exhibit in trying to avoid mistakes makes their experience of the overwhelming landscape even more intense.