Once Upon a Time in Norway

Reign Of Light is Samael sixth studio album, featuring in this edition a bonus dvd with videoclips/live material (recorded at Paléo Festival, Nyon 2005): 1 - Telepath (Video) 2 - Reign Of Light (Live) 3 - On Earth (Live) 4 - Telepath (Live) 5 - Moongate (Live)

A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.

London during March of 1996. 1. When all golden turned to shit, 2. Interlude, 3. 1999: Karmakeddon Warriors.

Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

Bill Zebub interviews various musicians about black metal. Includes members of Behemoth, Darkthrone, Dark Funeral, Gorgoroth, Belphegor, Mayhem, Marduk, Immortal, and others.

The infamous Gorgoroth gig in Krakow, Poland! Gorgoroth, Norwegian black metal band, drew the attention of the international media in early 2004 after their show in Krakow. They were accused of "offending religious feelings" during the gig, as well as suspected of breaching Polish law concerning the protection of animal rights by using severed and impaled heads of sheep as part of their stage design.

Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust

“I will not serve!” (Non Serviam), were the alleged words of Lucifer, when he descended from heaven to be his own master. In the 20 years of their impressive career ROTTING CHRIST have boldly followed this example and always set their own course. Carving their very own path through Black, Gothic and Death Metal the Athenians quickly rose to become the premier Metal band of their native Greece and nearly as fast to international acclaim. On “Non Serviam – A 20 Year Apocryphal Story” ROTTING CHRIST have gathered their most popular and classic songs including some rare treats to celebrate their special anniversary show at home in Athens in front of a fanatic audience in December 2007. Completing the package is a bonus DVD filled with extra footage from the “Sanctus Diavolos” and “Theogonia” tours, an interview with frontman Sakis telling the story of the band, bootlegs live videos, promotional clips and much more.

Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?

The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK hard rock group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr. The 64-minute documentary eschews much of the tabloid sensationalism that shrouded the genre in the early to mid-'90s, focusing instead on the music itself, an element thus far overlooked by the mainstream media.