Everyday Portabella

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

Exploring the wit, work and world of Joe Orton through his own words, and the testimony of those who knew him and worked with him.

The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.

A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".

Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.

An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.

An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.