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“Yessica” (Ximena Ayala) is friends at school with “Miriam” (Nancy Gutiérrez) even though the two are really chalk and cheese. The latter is a more restrained lass whilst her friend is more of a boisterous creature. That might be because she lives with her mum and her step-dad and his son “Jorge” (Luis Fernando Peña). Now he’s a total creep and makes an arrangement that will pimp out the young girl to his bus driving mate so he can earn some money for a pair of trainers! Despite the fact that she is taken from the street in broad daylight and assaulted on the floor of his bus, there is no effort made by anyone to bring the culprits to book as she, herself, is so embarrassed by the whole experience that she cannot tell anyone. Her rather toxic method of dealing with things is to become even more emotionally attached to “Miriam” and in so doing she starts to make problems for her friend that causes that girl’s mother (Arcelia Ramírez) to intervene - and that makes the vulnerable girl even more so. This is quite a savage indictment on attitudes of sexual entitlement by a man whose treatment of the young girl is brutal and cavalier. He has no fear of retribution and as the young “Yessica” goes further off the rails the behaviour of the truly odious brother becomes quite sickeningly effective. That she is violently robbed of her innocence is tragic enough; the fact that she has no recourse to seek help, solace and/or legal redress is punchily portrayed here by a potent performance from Ayala and an unpleasant, under-your-fingernails, one from Peña. It’s not a graphic film, but the message is writ large and offers a thought provoking critique of innate and obnoxious societal attitudes to sex.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories - activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away - though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.
Based on true events about the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.
Teenage siblings Hannah and Timotheus grow up in a strict evangelical family and lead seemingly fulfilling lives in their free church community. When Hannah falls in love with their new neighbour, Max, and Timotheus discovers he is attracted to men, their feelings collide with their family's values.
Christmas! Every year, expectations are high again. And that's why a little dissatisfaction quickly becomes the deepest despair. "Over there, it's snowing" tells of the joy and sorrow of December 23rd and 24th, as experienced by the residents of a Munich townhouse. The focus is on the freshly separated Miriam, her daughter Julchen and the awkward pastor Gregor.
With the threat of having to close her father's candy store, Wendy and her six-year-old daughter Grace travel to the big city in hopes of making extra holiday cash to save the store. When she's offered a job in the toy department of Wolmans, the city's biggest department store, Wendy can't wait! Her excitement doesn't last long when the store's manager, Teanna, destroys the Christmas spirit throughout the store and replaces Santa with a hunky male underwear model surrounded by elfin "babes." What Teanna is unaware of is that she has in fact sacked the real Santa. Unaware of his real "Santa" status, Wendy reaches out to the old man but it seems even he has given up hope. With her daughter losing faith in the holiday, Wendy realizes she must bring the true meaning of Christmas back to Wolmans before it is too late.
A threesome becomes a foursome in this sensitive drama. The tale begins with the relationship between a recently divorced man and woman (from different marriages) and the bisexual they get involved with. At first all three are happy in their new arrangement, but then the divorced fellow suddenly leaves and those remaining in the relationship become quite tense. Fortunately the fellow returns with another, more conventional fellow. Eventually the three persuade him to join them.
Liam, an aspiring and ambitious young writer, eagerly accepts a tutoring position at the family estate of his idol, renowned author J.M. Sinclair. But soon, Liam realizes that he is ensnared in a web of family secrets, resentment, and retribution. Sinclair, his wife Hélène, and their son Bertie all guard a dark past, one that threatens Liam’s future as well as their own.
A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.
