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It’s Regina versus us; The Kelly Gang. Ned Kelly is directed by Gregor Jordan and written by John Michael McDonagh (based on “Our Sunshine” written by Robert Drewe). It stars Heath Ledger, Orlando Bloom, Naomi Watts, Geoffrey Rush and Joel Edgerton. Music is by Klaus Badelt and cinematography by Oliver Stapleton. The Australian Robin Hood? Well not quite, but Ned Kelly’s name and exploits live on for ever more. As is often the case with film’s of this type, such as Braveheart, it’s best to approach them as interpretations of real events and people, than actual historical facts. The core basis of Ned Kelly the man is here, and the picture built around him is handsomely mounted. Also ripe with strong character portrayals by the key actors (fluctuating accents and dodgy beards aside) and shot through with enough lyrical smarts by Jordan, it’s a film big on atmosphere and authentic feel. However, obviously hamstrung by budget and running time etc, much of the story feels incomplete. There’s also the problem of under using Geoffrey Rush, who although playing a key character in the Kelly legend, is only on the periphery of things. Still, the evident problems can’t stop it from being an engaging piece of entertainment. It’s consistently beautiful to look at, Badelt’s mournful musical score is an absolute cracker and the action is well staged by the passionate Jordan. We are still waiting for the definitive Ned Kelly Gang movie, because although this is made with care of the source stories, it only scratches the surface of this most interesting period of Australian history. 7/10
It's always tough with a subject that suffers from Titanic Syndrome - there can be no jeopardy about the final outcome so it really does boil down to the quality of the writing and the acting as to whether or not we are going to bother to sit through it... Heath Ledger isn't bad at all in the title role, an Australian from Irish (and criminal) stock who falls foul once too often of the frequently corrupt police, takes matters into his own hands and with his brother Dan (Laurence Kinlan) and Orlando Bloom (Joseph Byrne), amongst others, turns into an Antipodean version of Robin Hood - determined to redress the pretty in-your-face imbalances of society in Victoria and New South Wales. Bloom's accent is straight out of "Finian's Rainbow" but Naomi Watts is good as Julia as is Kris McQuade as his mother Ellen. Geoffrey Rush is drafted in by the government to lead the chasing constabulary, but his usually dominant presence doesn't quite work here - he doesn't really have enough to do/say. Those really observant amongst us might spot Charles Tingwell (think "Inspector Craddock") towards the end, too. It's violent but not brutal - we are shown a side of Kelly that has been driven to the course of action and although he doesn't exactly hate it; he has scruples. The detail is good; we get a sense of the relative squalor in which they lived, and the writing and direction are taut and well paced. From what little I know of the man, and his gang, this isn't the most accurate depiction of his brief moment in the limelight, but on balance, it is worth sitting through...
Stefan and Dolly Oblonsky have had a spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet.
In 1820 Spain, the son of a California nobleman comes home to find his native land under a villainous dictatorship. On one hand, he plays the useless fop, while on the other, he is the masked avenger Zorro.
Tenth entry in the Carry On series. Able seaman Poop-Decker signs up for adventure on the high seas with the wicked Captain Fearless. Those swabbing the decks include Juliet Mills, Charles Hawtrey and Donald Houston. The film was originally to be titled Up the Armada, but the British Board of Film Censors objected to such a rude title.
In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.
In the future, medical technology has advanced to the point where people can buy artificial organs to extend their lives. But if they default on payments, an organization known as the Union sends agents to repossess the organs. Remy is one of the best agents in the business, but when he becomes the recipient of an artificial heart, he finds himself in the same dire straits as his many victims.
Offbeat Civil War drama in which a wounded Yankee soldier, after finding refuge in an isolated girls' school in the South towards the end of the war, becomes the object of the young women's sexual fantasies. The soldier manipulates the situation for his own gratification, but when he refuses to completely comply with the girls' wishes, they make it very difficult for him to leave.
G-Man Charles Bent Martin is sent out to break up a nationwide racket. A transport company is aiding fugitives making a getaway in exchange for the lion's share of their loot. Through an old friend, whom he once barnstormed in an air circus, Martin joins the gang as a pilot. He becomes interested in Carol Butler, a beautiful girl involved with the gang through the activities of her ne'er-do-well father.
Kate Soffel is married to a prison warden in Pittsburgh, and is the mother of their four children. Ed Biddle is a convicted murderer awaiting execution on death row with his brother Jack. When Kate meets Eddie through her Bible readings to the prisoners, she is drawn to him, and they pursue a clandestine relationship. She agrees to help the brothers escape, and begins a treacherous journey with them to freedom in Canada.
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named Ernesto, the two become bitter enemies. While their dispute escalates towards violence, the violence of the world around them soon also impacts their lives.