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I have been a coward – and I wasn’t happy. The best cinematic treatment of A.E.W. Mason’s novel is here, a rousing and moving tale of a military man who is branded as a coward by those closest to him. Receiving four feathers as a sign of cowardice, Howard Faversham is inspired to go redeem himself in the eyes of his peers during the Mahdist War 1895. Zoltan Korda throws everything but the “Kitchener” sink at the production. 1939 was a stellar year for cinema, arguably the greatest ever. Action/Adventure film fans were treated royally this year, with the likes of "Beau Geste", "Gunga Din" and "The Four Feathers" to whet the appetites. The latter is a top line production, a Technicolor spectacle of derring-do and manly codes such as bravery and honour. Some these days may balk at the imperialist fervour that hums along the way, and some characterisations are very much of the time, but with such film making expertise on show (the final battle sequences are high quality), from direction, acting, costuming, photography and musical score, this is classical cinema in its purist form. 9/10
**A little forgotten gem that, perhaps, deserved to be revisited by the public.** This film is one of several adaptations of a novel set during the Anglo-Egyptian conquest of Sudan. It's quite good and must have been a "super production" for the time it was made. Very well directed by Zoltan Korda, in a luxurious and meticulous production that spared no effort or expense, it is, perhaps, one of the best film adaptations of the title novel. And yet, it is unjustly forgotten! For those who don't know or don't remember, the interior of the African continent was only colonized after the Berlin Conference, in 1885. Fourteen countries participated in it, including the USA and European countries without any colonies, such as Sweden. Among the several issues addressed (the end of slave trade, freedom of navigation on some rivers and the trade liberalization in some coastal areas), the legal bases for the occupation of the African interior were discussed: of course, for the Europeans at that time, the rights of the native tribes had no value, they were just savages. Outrageous today, but understandable in light of that time. As a result, the main European empires rushed to send expeditions with a view to exploring and demarcating their territories in Africa. The United Kingdom wanted the possession of a considerable strip of land, between Cairo and Cape Town, which is why it was decided to control Egypt, then a semi-independent kingdom under the authority of the Sultan of Istanbul, which had conquered the Sudan decades earlier. After helping the Egyptian king, Tewfik Pasha, to survive an uprising, the British took factual control of the kingdom. However, in 1881, the Egyptians lost control of Sudan to an Islamic revolutionary movement led by a self-appointed prophet, the Mahdi. The uprising withstood several military expeditions, leading to the death of the popular General Charles Gordon. The film begins with these events and historical context. It is when the relief expedition to Sudan is being prepared that the protagonist, Harry Faversham, asks to be discharged from service in the regiment where he is an officer. He never wanted to be a soldier, he was forced by his father and he was finally released from that obligation with his death. However, his comrades in arms and his bride did not understand that, and Faversham found himself in possession of four white feathers, a symbolic insignia given to men considered cowards for not serving their country in the ranks. John Clements is very good in the lead role, giving his character a dose of nobility and generosity combined with the youth and courage he comes to discover. Ralph Richardson, Jack Allen and Donald Gray were impeccable in the roles of British officers who demarcate themselves from the protagonist's attitude. June Duprez has little to do here, but what she does is done very well. On a technical level, we have to highlight Korda's direction, who had the close collaboration of his brothers on this project. The cinematography is simply magnificent and the colors, in their brightness and intensity, are a feast for the eyes. The director's meticulousness and exactness greatly benefited the historical accuracy, which was one of his concerns and the ultimate reason why he decided to film a lot of fight scenes in Sudan, very close to the places where the fighting actually took place. In fact, when documenting myself to write this review, I even read that the director took the opportunity to meet people who lived through the events, who participated in the combats and even gave military period training to the extras, where we can find also some real soldiers of the British Army. Sets, costumes, props and weaponry were details thought out in detail to recreate faithfully what would have been possible to find if we were there. Of course, there are flaws, but they are irrelevant. Before finishing, a word of praise for the soundtrack, signed by Miklos Rosza.
A British officer (John Clements) is called up to serve in Kitchener's army that will set out to avenge the defeat of General Gordon in the Sudan. He is deeply in love with his fiancée (June Duprez), however, and so decides to prioritise his family over his career. Bad move, that - his girlfriend and three of his closest compatriots (Ralph Richardson, Jack Allen & Donald Gray) consider him a coward and present him with the token of a yellow-belly - a white feather - and his engagement to the daughter of a retired general (C. Aubrey Smith) is ended. He determines to follow, incognito, his colleagues into the desert and shadows each of them as they face - and he shares - the perils and hazards of their mission. Once again, the Korda's present us with an ensemble of strong performances and a wonderfully colourful and well-paced adventure story of determination and betrayal that is tinged with quite a bit of sadness, too. I'd say this is every bit as good as Merian C. Cooper's 1929 version. (PS: keep an eye out for John Laurie as "The Khalifa"!!!)
Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings - and quickly discovers that he is in over his head.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs."