Corazon: Ang Unang Aswang

A Filpino family deals with hooded people who are involved in extra-judicial killings and other abuses in Philippine society.

The film is about the lives of simple folk caught between the crossfire of Kapitana accused of political patronage, and Patrol Kalikasan using the environment as a front for their own political and economic interests on the small mining community.

In 1947, those aspiring to be priest are sent to a remote convent to live in seclusion on the last day of their training. The purpose is to shield them from evil of the world. The plot thickens when a mysterious young girl comes to the convent but the question is whether she is really sent by God or by the Evil.

In the midst of the traditional moryonan rites observed every Holy Week in the island province of Marinduque, Mariana receives a devastating news from abroad - her sister, Magda, who was working as a domestic helper in Saudi Arabia is dead. Mariana and her mother then have to deal with the tedious and expensive process of repatriating the remains of Magda.

Minjae is a Korean-Filipino teenager who is often discriminated against for being mixed-blood. His utmost desire to belong to the homogeneous and hierarchical Korean society is tested when his single Filipina mother decides to send him to the Philippines one winter day.

Set in the immediate summer after the events of the first movie, and deals with more of the guys' misadventures as they prepare for college.

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

Decades before the rise of liberalism in Spanish-era colonial Philippines, a young charismatic preacher leads a movement for equality and religious freedom for his fellow native Filipinos. He is hailed as the Christ of the Tagalogs, but is sentenced to death for heresy by both Church and State.

Rekados is a magic-realist tragicomedy of three generations of cooks in the slums that own a karinderia. Josefina, the matriarch whose traditional skill in cooking keeps the family alive; Laura, the daughter who prefers cooking to please her customers and the man she desires; and caught in between the two is Pinay, the granddaughter who mimics Kris Aquino to get a basketball player of her own. In their small world of the kitchen that empowers and imprisons them, they cook dishes that symbolize their affection: adobo; kare-kare; dinuguan; and pansit. Each of them brings different flavors as they mix with each other and the men of their desires.

Jordan Dela Cruz is a teenager who is known as the 'Little Sunshine' of their campus. However, behind that smile is a person living in pain, sorrow, and regret. He lives in a household where his parents don't support him and experiences domestic abuse. One day a remarkable event happened that changed his life. An event that he can't forget and he will not forget.

Two opposing characters. Two contrasting background. One love story written in the stars. When Andrew's car collides with Anya's truck, his relatively peaceful life is destined to change forever. For Anya is not like any other girl. Downright frank and opinionated, Anya knows when not to give up. Despite their initial antagonism, Andrew discovers that beneath Anya's tenacious front is a sweet, spirited woman who knows how to enjoy life. And through Anya, Andrew begins to shed off his rigid stance. But before romance could bloom between them, Andrew is set to marry someone else...