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In spite of a few shortcomings, I mostly liked The Convert. Firstly, there's Australian actor, Guy Pierce. Pierce who is, in my opinion, fantastic. Its been quite a while since I've seen him in anything, I'd personally consider worthwhile, so this film made for a welcome change. Another upside, is a reasonable, if overcooked story (I'll come to that) which offers insights into early colonial life in New Zealand. In particular, it taps into the conflict between Maori tribes (the native people) and the newly arrived colonists. It's not a bad tale but as is often the case, it overplays its hand. The colonists are depicted as largely narrow minded, racist bigots. Its fair to say there was indeed racism (and still is). Its also true, however that the reason there are no pure Maori left in New Zealand, is because they integrated with the new arrivals.Its a bit hard to overstate the race card, when you stop to consider this fact. That said, there remains a heck of a lot to like here. Great performances, convincing characterisations and action that's a little implausible, at times, but still well done and generally entertaining. In summary, The Convert, in spite of a few shortcomings, is a quality production, that's definitely worth a look.
How the tragic death of one man triggered a David and Goliath battle between two Allies that echoed around the world and became the catalyst to end nuclear testing in the Pacific.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.
In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.
One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.
When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.
In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.
Nicholas Nickleby, a young boy in search of a better life, struggles to save his family and friends from the abusive exploitation of his coldheartedly grasping uncle.
It's the 21st century, the Oil Wars have made a mess of the planet and the land outside major cities is lawless. After Hunter comes to the aid of Corlie, who has run away from the villainous Straker, he takes her to the peaceful community of Clearwater. Unfortunately for the citizens of Clearwater, Straker fully intends to get Corlie back.
This is the story of daredevil stuntman Randy Cambell and his quest to follow in his late father's footsteps and become New Zealand's greatest daredevil stuntman by performing the ultimate daredevil stunt: jumping across Cook Strait in a rocket car!
In 1909, several years after Korea is forced into becoming a Japanese colony, freedom fighters plot the daring assassination of Japan's prime minister during their quest for independence.