Come Hungry: A Day in the Luzhou Night Market

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

Martial law was lifted in Taiwan in 1987. Since then, all kinds of reform and democratization were raised. However, in May 1991, four young people were arrested by the Bureau of Investigation (MJIB). This had generated the fear in society and led to the so-called “White Terror.”

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

Lost Theaters of Wichita has the inside story from those who were there. It’s a tale of two great entertainment palaces—one that barely survived and the other that came crashing down while still in its prime. The Miller could still be entertaining people to this day in a grand atmosphere unlike any other. But instead, a parking garage sits in that spot–a monument to history lost and a lesson for future generations to heed. Program includes additional segments on Wichita theater history not included in the documentary itself, and a question and answer session with some of the people interviewed in the film.

This two-part visual essay features the son of director Don Siegel, Kristoffer Tabori, who reads from his father book A Siegel Film. The bulk of the content addresses the production history of Invasion of the Body Snatchers.

In the following conversation, recorded remotely in 2020, filmmakers Martin Scorsese and Ari Aster discuss the mission, evolution, and ongoing work of The Film Foundation, the nonprofit organization dedicated to protecting and preserving motion-picture history that Scorsese established in 1990.

Hysteria explores issues surrounding women's emotions and sexuality, and their social manifestations.

George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased homophobia, sexual discrimination and repression of gays.

The Making of feature for the George Lucas movie 'THX 1138'.