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Despite the considerable social progress that the LGBTQ+ community has made in recent years, there are still some places around the world where the act of coming out is questionable and deeply troubling. In some cases, such a step raises serious issues about social acceptance, as well as self-preservation and legal ramifications. It may even prompt some individuals to doubt their genuine intuitive impulses about their natural inclinations just to be able to fit in. Such is the case in Nigeria, as depicted in the debut feature from writer-director Babatunde Apalowo, a Nigerian-born filmmaker based in the UK. In his first feature release, Apalowo tells the story of Bambino (Tope Tedela), a motorcycle deliveryman who meets and befriends Bawa (Riyo David), an aspiring photographer with whom he starts spending considerable time, a connection that carries implications greater than just friendship. However, given the country’s social taboos and illegality considerations, as well as sustained pressure from Efeyinwa (Martha Ehinome Orhiere), a neighbor who wants to become Bambino’s wife, the budding relationship between the two men remains at arm’s length. Bambino has doubts about his own sexuality, while Bawa believes that he and his new companion are destined for something deeper and more meaningful. But will that happen? The film probes this question as the two men tenuously circle one another, trying to figure out what’s next. Admittedly, the pacing here can be somewhat on the slow side at times, but that’s understandable given the circumstances under which they’re operating. But, by taking this approach, the filmmaker has an opportunity to present their story in a highly sensual way, one that creates ample sexual tension that’s fittingly augmented by the picture’s carefully framed shots, many of which allow the actors to convey tremendous depth of feeling merely with facial expressions and body language. The tone, message and style of filmmaking are all reminiscent of filmmaker Barry Jenkins’s Oscar-winning best picture “Moonlight” (2016), a perspective that carries significant ramifications in a culture that often denies the very existence of gay individuals within its ranks. The film thereby provides a revelatory look into a segment of society that many don’t recognize, understand or acknowledge. Like this film’s American counterpart, however, it’s imperative that viewers have patience with this one, giving it time to develop and emerge with a story that’s heartfelt, eye-opening, and, above all, rewarding.
While out with his friends for fun one night in São Paulo, Leandro is confronted with glimpses of his own violence. The film is loosely inspired by the homophobic attack that occurred in the Paulista Avenue area, in which teenagers used fluorescent lamps as a weapon.
The Krays is a film based on the lives and crimes of the British gangsters Ronald and Reginald Kray, twins who are often referred to as The Krays and were active in London in the 1960s.
A young, bare-knuckle boxer Craig moves from Blackpool to London, where he falls for a twenty-something music producer, Matt. Trouble ensues when shy, awkward Craig tries squeezing into Matt's glib lifestyle and Matt's scheming boss tries to break up the couple.
After the suicide of his best friend, a teenage boy is forced to deal with his guilt and sexuality.
Song Fei's time in the Yan household. Just like flowers, our life is timed. We grow in order to wilt.
A dynamic young man falls in love with his own boss, a married businessman, with two children.
Story of a homosexual man who finds out he has AIDS and how people react. Ex-lovers are brought together when the former is stricken with AIDS. Often humorous and never morose, author William Hoffman doesn't pull his punches with either his portrayal of a gay lifestyle or of the emotional toll the disease takes.
In the brazilian countryside, Lais meets Leticia, with whom she spends a quiet summer afternoon.
A 1950s Southern teen questions her faith and sexuality on the eve of her baptism when urged to repent her feelings for her best friend.
An emotionally reclusive father struggles to reconnect with his estranged gay son during a night at the seafront amusements.