Skelly 2024 - Movies (Oct 30th)
Midas Man 2024 - Movies (Oct 30th)
Casting Crowns Home by Sunday 2023 - Movies (Oct 30th)
Devils Knight 2024 - Movies (Oct 30th)
Martha 2024 - Movies (Oct 30th)
Time Cut 2024 - Movies (Oct 30th)
Terrifier 3 2024 - Movies (Oct 29th)
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Descendants The Rise of Red 2024 - Movies (Oct 29th)
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The Groomsmen Second Chances 2024 - Movies (Oct 28th)
Venom The Last Dance 2024 - Movies (Oct 28th)
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Oddity 2024 - Movies (Oct 28th)
Breath of Fire - (Oct 31st)
Agatha All Along - (Oct 31st)
Lets Make a Deal - (Oct 30th)
The Talk - (Oct 30th)
The Young and the Restless - (Oct 31st)
The Price Is Right - (Oct 31st)
The Beat with Ari Melber - (Oct 30th)
Deadline- White House - (Oct 30th)
The One Show - (Oct 30th)
Expert Witness - (Oct 30th)
Grand Designs - (Oct 30th)
Teen Mom UK - (Oct 30th)
Portrait Artist of the Year - (Oct 30th)
The Bidding Room - (Oct 30th)
Married at First Sight UK - (Oct 30th)
Traffic Cops - (Oct 30th)
Police- Night Shift 999 - (Oct 30th)
Four in a Bed - (Oct 30th)
Deal or No Deal - (Oct 30th)
Richard Osmans House of Games - (Oct 30th)
Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.
Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Edwin Debrow Jr. murdered a cab driver when he was 12. He was sentenced to 40 years in prison.
Preston Thornton, an Army veteran, was experiencing paranoid delusions at his home. After calling the Veteran's Crisis line, deputies arrived to transport Preston to a hospital, and tragedy followed.
Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.
This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).
In the world's first media interview, shot in Paris in August 1886, the great photographer Nadar interviews the famous scientist and sceptic Chevreul on his 100th birthday. In their own words - originally recorded in shorthand - they discuss photography, colour theory, Moliere, the scientific method, the crazy ideas of balloonists, and - of course - how to live for 100 years. These two legends of the 19th century have a lively and interesting conversation. One was born before the French revolution; the other was destined to see the marvels of the aeroplane and the movies.
Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.