Overboard

John Lupton portrays a vacationing city-boy who takes a room in a remote hunting lodge. He soon finds himself in a lick of hillbilly trouble when he catches the eye of a moonshiner's meretricious wife. Low budget "white lightnin'" dramedy released to scant notice in 1957.

Nazli is 18, born in Iran, raised in Sweden. She lives with her father Abbas and her older sister Mahin. Nazli, who wants to blend in calls herself Sara. One day Abbas tell her how he sees her future. He is planning a party for their friends and relatives. He also plans to invite two Iranian men, whom he sees as potential husbands for his daughters. Nazli, who has a very good relationship with his father, is appalled. When she meets with her Swedish boyfriend Johan, the situation immediately gets very complicated.

Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.

Filmmaker Ricardo Trogi recalls the events surrounding his family moving to a new neighborhood when he was 11 years old.

Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.

Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.

Four friends wake up after a drunken night. Unaware of what happened, they'll have to track down a mysterious girl, a lost friend and a missing finger in a day they will never forget.

When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she pretends to have forgiven him, and sends him to her father to get financing for a plan Bill has. What happens next was not part of her original revenge plan.

An East Indian native immigrates to New York City and stumbles his way onto the corporate fast-track.

The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.

New York City woman inherits a moonshine farm in the South.