The Callers 2024 - Movies (Dec 16th)
MnM 2023 - Movies (Dec 16th)
Hostile Forces 2023 - Movies (Dec 16th)
Terrifier 3 2024 - Movies (Dec 16th)
Abruptio 2023 - Movies (Dec 16th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Clean Up Crew 2024 - Movies (Dec 16th)
Go For Broke 2024 - Movies (Dec 16th)
Ape X Mecha Ape New World Order 2024 - Movies (Dec 16th)
Joy of Horses 2024 - Movies (Dec 16th)
Carnage for Christmas 2024 - Movies (Dec 16th)
Small Things Like These 2024 - Movies (Dec 15th)
Kraven the Hunter 2024 - Movies (Dec 16th)
Joker Folie à Deux 2024 - Movies (Dec 15th)
Sinister Surgeon 2024 - Movies (Dec 15th)
Clickbait Unfollowed 2024 - Movies (Dec 15th)
90 Day- The Last Resort Between the Sheets - (Dec 17th)
The Bold and the Beautiful - (Dec 17th)
The Young and the Restless - (Dec 17th)
The Talk - (Dec 17th)
The Price Is Right - (Dec 17th)
Get Millie Black - (Dec 17th)
90 Day- The Last Resort - (Dec 17th)
The ReidOut with Joy Reid - (Dec 17th)
Holiday Baking Championship - (Dec 17th)
Junk and Disorderly - (Dec 17th)
The Beat with Ari Melber - (Dec 17th)
Animal Park - (Dec 16th)
Adam Richman Eats Football - (Dec 16th)
Deadline- White House - (Dec 16th)
Four in a Bed - (Dec 16th)
Casualty 24/7- Every Second Counts - (Dec 16th)
Jesus Crown of Thorns - (Dec 16th)
Sunday Brunch - (Dec 16th)
Saturday Kitchen Best Bites - (Dec 16th)
Chateau DIY - (Dec 16th)
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/it-ends-with-us-review-balancing-love-trauma-and-abuse/ "It Ends With Us tries to balance heavy drama and conventional romance with some difficulties, but it manages to offer a minimally thought-provoking reflection on generational trauma and relationship abuse. Formulaic and not as deep as the complexity of its themes demands, yet still effective enough due to the strong performances of the cast, Justin Baldoni's sensitive lens, and several valuable messages for the audience. The heart is in the right place, despite the problems that haunt the film." Rating: B-
"Lily" (Blake Lively) is supposed to give an eulogy at her father's funeral, but she can't. Even with her mother (Amy Morton) there and in the full glare of a packed church, she cannot find five good things to say about the man. Quickly we learn - through some flashbacks - just why that is, and just why she's grown up to be a bit of a romantic. Then she encounters neuro-surgeon "Ryle" (Justin Baldoni) and there is instant chemistry. She then opens a long-dreamed of flower shop and a stranger walks in seeking a job. Guess what? She's "Allysa" (Jenny Slate) who just happens to be the sister of her enigmatic stranger. Maybe they can make a go of things? Well a dinner one evening brings her face to face with "Atlas" (Brandon Sklenar) and that takes us back down the path of retrospection as it turns out that in her younger days, she (Isabela Ferrer) has met this vagrant (Alex Neustaedter) and they's had quite an intense relationship until her father (Kevin McKidd) caught them, and - well you can use your imagination. When "Ryle" catches them chatting, he suspects the worst and that proceeds to cause his behaviour to materially change the dynamics as matters take a series of quite unpleasant turns. Now, quite why anyone thought this was a film worth making eluded me. Sure the subject matter is serious, but this plodding drama just takes way too long to get going and then when it might to become more compelling it runs out of steam. The camerawork pays far too much superficial attention to the undercooked character of "Lily" and the writing all too often resorts to power-ballad mode when the story becomes potentially more poignant and resonant. We know that the gist of the plot is to underscore not just the effects of domestic violence in the present, but to try and understand the sources so that path need never be taken again, but it's all presented in too shallow a fashion and could easily lose half an hour without impacting on the thrust - such as it is - of the drama. It's disappointing.
I found 'It Ends with Us' to be largely great, though the way it ends does make me question how I feel about it. The performances of Blake Lively, Justin Baldoni (just me who thinks he looks a touch like Runar from 'Ice Age'? ...), Brandon Sklenar, Jenny Slate - heck, even Isabela Ferrer and Alex Neustaedter (iffy likeness aside) - are stellar. I sensed a lot of chemistry between Lively & Baldoni and Lively & Sklenar, which is impressive to succeed in that area twice. Pace-wise the movie jumps along nicely, all the other major elements like editing, music and whatever are all well done and are only plus points. However, the conclusion disappoints a bit. I do think it just about regains its footing to produce a positive ending, though how it gets there by wrapping up the relationship between Lively's Lily and Baldoni's Atlas left me feeling a bit uneasy. As did a few other scenes, though they were of course as intended. Amusing that I'm pretty sure I was the only dude (or at least one of a few) in a packed cinema watching this. Upon exiting, visually I kinda felt like Will Smith in that famous 'The Pursuit of Happyness' (which I still haven't seen btw, gotta get on that) crowd scene - only surrounded by women. Bit awkward, I can't lie. "Will watch anything!" evidently leads me astray sometimes!
Amazing movie, I really like it. It is outstanding.
It Ends With Us, directed by Justin Baldoni and based on Colleen Hoover's bestselling novel, explores the complexities of love and domestic abuse through the eyes of Lily Bloom (Blake Lively). The film captures Lily's journey from a hopeful flower shop owner to a woman facing the harsh realities of her relationship with Ryle (Justin Baldoni), a charming but abusive neurosurgeon. My Experience: Watching It Ends With Us was both impactful and frustrating. The cinematography was beautiful, and Lively delivered a nuanced performance that conveyed Lily's internal struggles effectively. However, I felt the film struggled with pacing and often leaned too heavily on melodrama, which detracted from its emotional weight. The portrayal of domestic violence was raw and unsettling, but at times it felt like it glossed over the deeper implications of such trauma. While I appreciated the film’s attempt to address serious themes, the resolution felt overly neat and left me questioning its message about healing and forgiveness. Overall, It Ends With Us left me with mixed feelings; it was visually engaging and thought-provoking but ultimately fell short of delivering a satisfying emotional payoff. If you enjoyed my experience, then check out the Latest Movie Reviews.
After exotic dancer Isis falls in love with up-and-coming politician Osiris, a band of criminals from her past threatens the couple’s future together.
A group of CNN reporters wrestle with journalistic ethics and the life-and-death perils of reporting during the Gulf War.A Directors Guild Award-winning movie for director Mick Jackson, starring Michael Keaton and Helena Bonham Carter. In 1990, CNN was a 24-hour news network in search of a 24-hour story. They were about to find it in Baghdad. Veteran CNN producer Robert Wiener and his longtime producing partner Ingrid Formanek find themselves in Iraq on the eve of war. Up against the big three networks, Weiner and his team are rebels with a cause, willing to take risks to get the biggest stories and - unlike their rivals - take them live at a moment's notice. As Baghdad becomes an inevitable US target, one by one the networks pull out of the city until only the crew from CNN remains. With a full-scale war soon to be launched all around them, and CNN ready to broadcast whatever happens 24 hours a day, Wiener and Formanek are about to risk their lives for the story of a lifetime.
Bombs tear through Bombay in 1993, wreaking havoc and polarising the citizens. With perpetrators at large, the state launches a massive man-hunt to unmask the perpetrators behind these events.
Renowned filmmaker John Wilson travels to Africa to direct a new movie, but constantly leaves to hunt elephants and other game, to the dismay of his cast and crew. He eventually becomes obsessed with hunting down and killing one specific elephant.
Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.
A boy grows up not knowing his real identity. One day a mysterious lady, claiming to be his real mother, divulges the truth about his roots. He is caught between leaving his past and living his new life.
The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.
A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.