Dopamine

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

We meet two girls in the middle ground between childhood and adolescence, a time where it is easy to misjudge the difference between right and wrong.

Locked is a film noir short written and directed by Niki Cornish and filmed by blind photographer, Ian Treherne. Starring Wendy Morgan, with a cast and crew of Niki's unique friends, this stylish, cinematic motion picture uses magnificent musical notes and stark lighting effects to lure the audience into a chilling anecdote of a fallen soldier's horrifying revenge.

An extraordinary portrait of madness and inner turmoil, conveyed through mesmeric images of dreamlike intensity. Mixing found footage, medical macro shots and multiple film-gauges, the visual texture is as distressed and tormented as the film's subject. The haunting soundtrack, by 4AD staples Dead Can Dance, brings to mind the sleeve art of 23 Envelope founders Vaughan Oliver and Nigel Grierson, whose distinctive visual language is echoed in Krakatau's expressive imagery.

17-year-old Michael is invited over by Alex, an old friend, to his house to "play" when unfortunate events turn for the worst. Alex is a psycho killer and is mentally still a child at heart. Michael must find a way to escape to horrors of Alex before it's too late.

An interesting assembly of people decides to play a deadly game of greed for a suitcase full of money.

Don Birnam, a long-time alcoholic, has been sober for ten days and appears to be over the worst... but his craving has just become more insidious. Evading a country weekend planned by his brother and girlfriend, he begins a four-day bender that just might be his last - one way or another.

Frank Johnson, a wealthy landlord, without a heart, has no mercy for the poor. His cold attitude towards the public in general has a great influence in his life, and when he proposes marriage to Eleanor Groves, his manner is indeed anything but that of love. Eleanor, although she cares for Johnson, reprimands him and tells him that she could never marry a man as cruel as he is. Her last line of rebuff, "The ghost of your better self will appear to you and make you realize what a beast you are," gets Johnson to thinking.