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**I liked it, but the script seems a little too far-fetched.** Of the three films in Krzysztof Kieslowski's “color trilogy”, this is perhaps the closest to comedy. The plot begins with a couple's divorce: he is Polish and went to France because of her, who is French. Both got married, set up a common life, but the truth is that the couple's sex life is nil, he is not capable of consummating the act. He's not impotent, he's not homosexual, he just seems intimidated by the moment. Not satisfied with that, she keeps the goods, takes everything from her misfortunate ex-husband and threatens him. Living on the street, with no money and no life prospects, he decides to return to Warsaw in his own suitcase. After a while, he is a rich man. He's not an honest man, he didn't make his money in the most innocent way, but the movie ignores the morality around that. It's time to make the little Frenchy pay for what she did to him, and pay dearly. Let's go first to the points that I liked the most about this film: on a technical level, it's an impeccable work of art. The director is meticulous, he thinks of the smallest details and wants everything the way he envisioned it. The color white is omnipresent throughout the film, as it was in “Blue”. The cinematography is remarkable, and the construction of the sets and costumes is quite good. Despite being elegant, the music really accentuates the dark comic vein of the film, which works very well. The work of the two main actors, Zbigniew Zamachowski and Julie Delpy, is also very good. He, however, gains more visibility not only for being the protagonist, but for the very ironic and pleasantly funny way in which the character was developed. Delpy's role is not as rich, nor as interesting, but the actress manages herself well. The biggest problem I had with this film is the near-absolute unlikelihood of the script. In addition to the protagonist making money very easily without apparently any problems or harmful consequences, he is very much torn between love and revenge. On the one hand, it's obvious that he's never forgotten his ex-wife, that he loves her, despite all the bad things she's done and all the difficult situations he's been through to him because of her actions. He just doesn't seem to be able to hate her. On the other hand, he hates her enough to make her pay for everything, and in a very original way. What are we left with? Revenge without hate?
This is my favourite of the Kieslowski trilogy - even if it might make you wonder about the efficiency of airport security in future! It all centres around "Karol Karol" (Zbigniew Zamachowski) who is facing divorce from his glamorous wife (Julie Delpy) - on the grounds of non-consummation - and that is going to reduce him to poverty. Luckily, on the Metro platform, he encounters "Mikolaj" (Janusz Gajos) and the two concoct a plan to smuggle him back to his native Poland where he can make his fortune (maybe) and get some revenge on his wife. His journey doesn't quite go to plan, but he eventually manages to get a job working security and when he overhears the plans of his bosses to buy up some land, he jumps the gun and is soon on the road to riches.... It's funny, this film. Not in a ha-ha sort of fashion, but the writing and the characterisations create an enjoyable series of scenarios - some, admittedly, less plausible than others - as the adaptable and quick-thinking "Karol" carefully plots his vengeance. The supporting cast deliver well - his hairdressing cousin "Jurek" frequently stealing his scenes but not in a way we might expect. Short and sweet and well worth a watch.
This Spanish-language short was made using stop-motion animation and features very simple sets and characters. However, despite the relatively low budget, the film turns out to be a very effective way to teach kids about the dangers of unprotected sex. The film begins with three teenage girl dolls sitting on a bench. Without using actual words but sort of a Sims-type speech ("Bla, bla, bla"), the first girl describes her perfect man. Then, suddenly, he appears--as does a bed...
Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
A chaotic Bridget Jones meets a snobbish lawyer, and he soon enters her world of imperfections.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Second-hand car sales man Willenbrock has everything that he could ever wish for. He is married, has two lovers, a cottage in the German city Grünen, and a BMW. Yet one day while at his cottage he gets mugged and his life is drastically changed. Little by little the world he once felt safe in falls apart around him.
In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.
Young businessman Thomas Crown is bored and decides to plan a robbery and assigns a professional agent with the right information to the job. However, Crown is soon betrayed yet cannot blow his cover because he’s in love.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
When bachelor Walter Davis is set up with his sister-in-law's pretty cousin, Nadia Gates, a seemingly average blind date turns into a chaotic night on the town. Walter's brother, Ted, tells him not to let Nadia drink alcohol, but he dismisses the warning and her behaviour gets increasingly wild. Walter and Nadia's numerous incidents are made even worse as her former lover David relentlessly follows them around town.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.