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**I liked it, but the script seems a little too far-fetched.** Of the three films in Krzysztof Kieslowski's “color trilogy”, this is perhaps the closest to comedy. The plot begins with a couple's divorce: he is Polish and went to France because of her, who is French. Both got married, set up a common life, but the truth is that the couple's sex life is nil, he is not capable of consummating the act. He's not impotent, he's not homosexual, he just seems intimidated by the moment. Not satisfied with that, she keeps the goods, takes everything from her misfortunate ex-husband and threatens him. Living on the street, with no money and no life prospects, he decides to return to Warsaw in his own suitcase. After a while, he is a rich man. He's not an honest man, he didn't make his money in the most innocent way, but the movie ignores the morality around that. It's time to make the little Frenchy pay for what she did to him, and pay dearly. Let's go first to the points that I liked the most about this film: on a technical level, it's an impeccable work of art. The director is meticulous, he thinks of the smallest details and wants everything the way he envisioned it. The color white is omnipresent throughout the film, as it was in “Blue”. The cinematography is remarkable, and the construction of the sets and costumes is quite good. Despite being elegant, the music really accentuates the dark comic vein of the film, which works very well. The work of the two main actors, Zbigniew Zamachowski and Julie Delpy, is also very good. He, however, gains more visibility not only for being the protagonist, but for the very ironic and pleasantly funny way in which the character was developed. Delpy's role is not as rich, nor as interesting, but the actress manages herself well. The biggest problem I had with this film is the near-absolute unlikelihood of the script. In addition to the protagonist making money very easily without apparently any problems or harmful consequences, he is very much torn between love and revenge. On the one hand, it's obvious that he's never forgotten his ex-wife, that he loves her, despite all the bad things she's done and all the difficult situations he's been through to him because of her actions. He just doesn't seem to be able to hate her. On the other hand, he hates her enough to make her pay for everything, and in a very original way. What are we left with? Revenge without hate?
This is my favourite of the Kieslowski trilogy - even if it might make you wonder about the efficiency of airport security in future! It all centres around "Karol Karol" (Zbigniew Zamachowski) who is facing divorce from his glamorous wife (Julie Delpy) - on the grounds of non-consummation - and that is going to reduce him to poverty. Luckily, on the Metro platform, he encounters "Mikolaj" (Janusz Gajos) and the two concoct a plan to smuggle him back to his native Poland where he can make his fortune (maybe) and get some revenge on his wife. His journey doesn't quite go to plan, but he eventually manages to get a job working security and when he overhears the plans of his bosses to buy up some land, he jumps the gun and is soon on the road to riches.... It's funny, this film. Not in a ha-ha sort of fashion, but the writing and the characterisations create an enjoyable series of scenarios - some, admittedly, less plausible than others - as the adaptable and quick-thinking "Karol" carefully plots his vengeance. The supporting cast deliver well - his hairdressing cousin "Jurek" frequently stealing his scenes but not in a way we might expect. Short and sweet and well worth a watch.
A young actor from Texas tries to make it in New York while struggling in his relationship with a beautiful singer/songwriter.
A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer's social circle seems to improve greatly when a whimsical co-worker enters his life. Only, as he begins to sketch his new friend's portrait, disturbing "voices" from the phone man's past threaten to lead him into a network of destruction.
Rafael is the oldest brother of a close family belonging to generation of Olimpia Soccer club fans, he is in charge of managing the family's mini market. Due to his brothers mistake, he receives an eviction notice from the bank, and decides to pose as a lawyer to solve the case.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
Although she's still hung up on the man who broke her heart, club dancer Simona pledges to eradicate all memories of him by removing the tattoos he put on her body. Complicating matters is Mariel, the owner of a Barcelona tattoo shop whose obsession with Simona's undulating form leads him to steal the money to help her pay for the necessary laser treatments.
After a very messy divorce, a man starts suspecting his ex-wife and her new boyfriend of various crimes.
Despondent at losing his lover, a man wanders the streets of Paris and has an affair with her kinky friend.
A waitress falls for a handsome customer who seduces her, her two sisters, her brother, and her brother's girlfriend.
A universal story about entering adulthood in difficult times, growing up to the community. The great history is the background for the love story unfolding in the foreground: Józek, a deserter from the tsarist army who joins the emerging Legions, an intelligence agent for the I Brigade and Women’s Leage member – Ola, and Tadek, her fiancée, a member of Shooting Team.
A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.
A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.