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60 Minutes Australia - (Aug 18th)
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Boring and too cheese. The same way Percy Jackson is a bad copy of Harry Potter, Beautiful creatures is a bad copy of Twilight. The big difference is that Percy Jackson is a bad copy of a good series of novels and movies while Beautiful Creatures is a bad copy of yet another bad series of novels and movies.
***Too-campy, Christphobic Southern Gothic fantasy about “casters” aka witches*** In a small South Carolina town, a college-minded high schooler (Alden Ehrenreich) becomes infatuated by a mysterious new girl (Alice Englert) who recently moved in with her eccentric uncle (Jeremy Irons) at his creepy Antebellum mansion. He learns that they are "casters," immortals with magical powers; and that an evil relative (Emma Thompson) wants Lena for the darkness. "Beautiful Creatures" (2013) was based on the first of four young adult books of "The Caster Chronicles" by Kami Garcia and Margaret Stohl. Fans of the book, however, say it's one of the most unfaithful book-to-screen adaptions. Since I've never read any of these books this was irrelevant to me. There's nothing wrong with the production as far as sets, costumes, cast and music go. It cost $60 million and looks it. The Southern Gothic air is to die for and the first act is intriguing. Unfortunately, the tone is semi-campy where several of the characters are overly cartoonish. It's reminiscent of comic booky Stephen King flicks (e.g. "Silver Bullet" and "Needful Things"), but a notch or two more exaggerated. The first half is also encumbered by an overtly anti-Christian slant. I don't have a problem with movies that depict the evils of fundamentalist legalism, like in "The Mist" (2007), but here the stereotypes are so overdone they don't ring true, not to mention there's no positive depiction of believers to compare with the negative ones (like in "The Mist"). According to this movie, ALL Christians are hateful, rash, judgmental, condemning bigots. Lazy writers love stereotypes because they don't have to write interesting complex characters. Take Lena's first day at school where two girls automatically assume she's "satanic" merely because she lives at the eerie plantation; they then proceed to openly pray for her. It's so overdone, cartoony and eye-rolling it takes the viewer right out of the movie. This doesn't even reflect reality in the modern world anyway: Even in a backwater town in the USA it's more likely that a devout Christian would be persecuted by mocking unbelievers and nominal Christians rather than vice versa. Another thoroughly unrealistic element is how all the top community leaders are ee-vil fundies who GO TO THE SAME CHURCH. Why Sure! To be fair, the second half halfheartedly tries to make up for this by briefly revealing a more positive Christian character and having the pastor give a worthy mini-sermon on sacrifice, but it's too little too late after misrepresenting and offending half of the viewership. Another problem is how the two protagonists suck face too much. The girl's only 15. I'm not saying mid-teenagers don't make-out, but (again) it's so overdone it's eye-rolling. For a better executed and entertaining fantasy/horror flick based on a young adult book series, check out "Cirque du Freak: The Vampire's Assistant" (2009). It runs 2 hours, 4 minutes, and was shot entirely in Louisiana (Covington, Madisonville, Batchelor, St. Francisville and New Orleans). GRADE: C/C- (4.5/10)
Another love story for a non mortal. It's been done so much now that it's silly to even watch any more but at least she did do some pretty cool stuff.
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
This light-hearted comedy operetta tells the story of a newly appointed high school professor who becomes an ideal target for pranks and jokes.
Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life dressed like a ninja and summoning him for an ingenious campaign of revenge, he follows. After their all-nighter ends and a new day breaks, Quentin arrives at school to discover that Margo, always an enigma, has now become a mystery. But Quentin soon learns that there are clues, and they're for him. Urged down a disconnected path, the closer Quentin gets, the less he sees of the girl he thought he knew.
Chinatown, San Francisco, 1928. Former private detective Dashiell Hammett, a compulsive drinker with tuberculosis who writes pulp fiction for a living, receives an unexpected visit from an old friend asking for help.
Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.
Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.
A spirited young woman finds herself destitute and on the streets before joining a traveling carnival, where she meets a vagabond painter.
The new guy in a Los Angeles high school, Morgan, does some singing and fights hotshot Nick over disco dancer Frankie.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
Dr. Vogler's, a nineteenth-century traveling mesmerist and peddler of potions, magic is put to the test in Stockholm by the cruel, eminently rational royal medical adviser Dr. Vergérus.
Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee. In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return.