24 Nights

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 3: American Boy contains seven complete films: Adam Salky's "Dare" starring Adam Fleming, Michael Cassidy, and Marla Burkholder; Jody Wheeler's "In The Closet" starring J.T. Tepnapa and Brent Corrigan; Dennis Shinners's "Area X" starring Matt Schuneman and Antony Raymond; Julian Breece's "The Young & Evil" starring Vaughn Lowery, Diana Elizabeth Jordan, and Reggie Watkins; Brian Krinsky's "Dish :)" starring Matthew Monge, Jeff Martin, and Octavio Altamirano; Carter Smith's "Bugcrush" starring Josh Caras and Donald Cumming; and Kyle Thomas Coker's "Astoria, Queens" starring Aaron Michael Davies, James Heffron, Sangeeta Parekh, and Hayley Thompson-King.

Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.

Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.

A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.

This examination of a famous scandal from the 1970s explores the relationship between Barbara Baekeland and her only son, Antony. Barbara, a lonely social climber unhappily married to the wealthy but remote plastics heir Brooks Baekeland, dotes on Antony, who is homosexual. As Barbara tries to "cure" Antony of his sexuality - sometimes by seducing him herself - the groundwork is laid for a murderous tragedy.

A street sweeper who cleans up after grisly accidents brings home a full corpse for him and his wife to enjoy sexually, but is dismayed to see that his wife prefers the corpse over him.

Bekikang is left and abandoned with a baby boy by friend, Fortunato. He loves and raises the child as his own flesh and blood. When things are going so well between Bekikang and the child, Fortunato and the mother of the child after years of absence reappear to take the child back.

In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.