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"Too little of too much" would describe this movie well, which presented us a dystopian New York with development potential and characters whose background is shared, exposed with brief moments of characterization that made me feel like I was missing this movie's predecessor. It didn't exist, and so the end result was of an expanded universe of unknown circumstances - except for the brief introduction we got in the opening credits - where the events barely told the story during the time it was running. But where this movie failed in terms of script, it almost made up with atmosphere and music. It sounds great throughout, but the credit goes to the opening theme that is as minimal as the presentation is grounded, in that humble approach of whom ambition wasn't unheard. Sadly, it's not the case of a classic whose production values challenge the computer generated visuals of today (and ironically this movie's novelty was the wireframe view), but if you're interested in history and want to make a contextual analysis, you may find something worth treasuring. __________________ When authors create they sign. When editors hack they design.
A Snake, a Brain, a Cabbie, a Duke and the President Of The USA. It's 1997 and Manhattan Island is a walled off prison, during the flight of Air Force One the president's plane is taken over by a terrorist and the president ejects out in the safety pod. Sadly for him he lands right in the middle of Manhattan Island. When an armed unit lands inside the walls they are told that the president has been taken hostage and they must get out of their prison ASAP. At a loss what to do, the authorities decide to send one man in alone, ex war hero turned criminal, Snake Plissken, not only does he have to contend with surviving the incredibly hostile prison, he also has a time bomb implanted in his body that, should he not get the president out safely within 24 hours, will explode and mean no more Snake Plissken! Made in 1981 and set in 1997, it's safe to say John Carpenter is not the best predictor of the future around. However, his vision of a future where America has thrown all its criminals on one island, where they create their own society out of harms way, has to rank as an incredibly adroit piece of work. This place is grim and deadly, the flotsam and jetsam of society thrust together in this bleak and desolate place of class separation. What Carpenter has achieved with his usual minimal budget allowance is a smouldering sci-fi classic that may be as daft as they come, but it pulses with cool and cheekily slaps you around the face with its cheeky satirical edginess. Kudos is given to the great production design from Joe Alves, who along with Carpenter has crafted this brilliantly dirty netherworld of crime. Our anti-hero of the piece, Snake Plissken, is superbly played by Kurt Russell, the original choice interestingly was Tommy Lee Jones, but Russell fuels Plissken's mantra to make him one of the eighties coolest grumpy bastards, and his work here is first class in terms of the films' apocalyptic structure. Surroundning Russell is a wealth of quality performers each adding their personal bits to this tick-tock stew, Lee Van Cleef, Ernest Borgnine, Donald Pleasance, Harry Dean Stanton, Adrienne Barbeau and Isaac Hayes all earn their money and flesh out the story to the end. Calling Escape From New York an action picture would be setting first time viewers up for a real let down, what action there is is minimal but highly effective, the machismo flourishes acting more as a point of reference to the picture's time bomb urgency. I like to think of the film as being more a sci-fi adventure yarn laced with darkly comic humour, with of course machismo thrown in as a side salad to accentuate the bleakness of it all. A wonderful concoction indeed. 9/10
Nails the "post-apocalyptic except the world didn't end" vibe. _Final rating:★★★★ - Very strong appeal. A personal favourite._
When three young martial artists embark on a relentless treasure hunt in order to free their friend from the grasp of a ruthless gangster, they get entangled in a complex conspiracy staged to dethrone Berlin's underworld kingpin.
Prepare yourself for the all too deadly future. Cash, the heroine of Cyborg 2, is living safe in the free zone. But not for long. Biomechanical problems are taking down her systems and a visit to a doctor in Silica confirms her worst fears. She is more then a marvel of cyborg technology. She is the first of her kind to become a creator-she is pregnant.
A spoiled young man - on the run from a ruthless killer - hooks up with a puppeteer and his wife who are masters of the art of tai chi; the only style that can defeat the killer.
A prototype enhanced human, on the run from Chinese-hired hit men, hooks up with a dread-locked bystander, and the two of them elude their pursuers narrowly each time.
A westerner named Casey, studying Ninjutsu in Japan, is asked by the Sensei to return to New York to protect the legendary Yoroi Bitsu, an armored chest that contains the weapons of the last Koga Ninja.
Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
A small town is protected by one of the famous Ten Tigers of Kwangtung. The town is very safe as Ti Lung and his Kung Fu students patrol for criminals. Enter the rival Kung Fu school whom Ti Lung's students have beaten in a lion dance competition and then humiliated in a brawl. The rival school is joined by an opium dealing Kung Fu master who plans to turn the town into a community of addicts!
For never-do-well compulsive gambler Fong, there's only one thing more fearsome than debtors at his doorstep - having to coax a crying baby. But what if the baby becomes his golden goose to fend off his debtors? Can he overcome his phobia of diapers, milk bottles, and cloying lullabies?
When a group of Indian and Pakistani nurses are held hostage in Iraq by a terrorist organization, a secret agent is drawn out of hiding to rescue them.
Scott James, a veteran martial arts expert, is recruited as the protector of the wealthy and beautiful Justine after she becomes the target of a ninja clan. When Scott finds out that his ruthless arch-nemesis, McCarn , is involved with the stealthy and dangerous criminals, he is eager to settle old scores. Soon Scott is facing off against McCarn and the entire ninja horde in an effort to take them all down.
While working as a cook for the Cosa Nostra, an Asian immigrant who everyone calls Bruce because of his resemblance to Bruce Lee, is duped into making deliveries of "Chinese Flour"- cocaine - all across the U.S.