Haunting of the Queen Mary 2023 - Movies (Mar 28th)
Uproar 2023 - Movies (Mar 28th)
Peter Five Eight 2024 - Movies (Mar 28th)
Windcatcher 2024 - Movies (Mar 27th)
The Truth vs. Alex Jones 2024 - Movies (Mar 27th)
Easter Evil 2024 - Movies (Mar 27th)
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The Book of Clarence 2023 - Movies (Mar 26th)
Molli and Max in the Future 2023 - Movies (Mar 26th)
Ordinary Angels 2024 - Movies (Mar 26th)
Imaginary 2024 - Movies (Mar 26th)
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Tig Notaro Hello Again 2024 - Movies (Mar 26th)
The Peasants 2023 - Movies (Mar 26th)
My Acting Coach Nightmare 2024 - Movies (Mar 25th)
Gutfeld! - (Mar 28th)
The Ingraham Angle - (Mar 28th)
The Five - (Mar 28th)
MSNBC Reports Andrea Mitchell Reports - (Mar 28th)
Dimension 20 - (Mar 28th)
Resident Alien - (Mar 28th)
Allegiance - (Mar 28th)
Invincible - (Mar 28th)
The Kelly Clarkson Show - (Mar 28th)
The Great Canadian Pottery Throw Down - (Mar 28th)
After Midnight - (Mar 28th)
Reality of Wrestling - (Mar 28th)
Gogglebox Australia - (Mar 28th)
Tipping Point Australia - (Mar 28th)
The Chase Australia - (Mar 28th)
Salvage Hunters- The Restorers - (Mar 28th)
Selling Houses Australia - (Mar 28th)
New Zealand Today - (Mar 28th)
Deal or No Deal - (Mar 28th)
Salvage Hunters - (Mar 28th)
Am I the only one getting bored or not? It's probably because I don't like that loud noise
So the legendary British rockers "Spinal Tap" are on the comeback trail. After a dry spell in the USA, they determine to take their provocative new album and their film-faking fan "Marty" (Rob Reiner) and re-establish themselves as superstars. "Marty" has access to all aspects of their activities as he makes the ultimate fly-on-the-wall documentary depicting the ups and downs, warts and all, of this band of musicians who epitomise just about everything good, bad and excessive in the industry at which this film takes an entertaining swipe. Interspersed with some decently staged rock numbers that could easily have been seen on MTV, we are exposed to the extremes of venality and avarice, some completely bonkers lyrics and their gradual realisation that the grand stadium days are maybe long gone, now. The bickering always stays on the amiable side of toxic, but squabbles about their racy album cover being banned in Walmart, their shrinking appeal narrowed now to just to stoned-out students and their own peccadilloes deliver an enjoyably authentic looking and frequently quite funnily written analysis of life on the downward side of the showbiz mountain - and it's quite scathing of those who make a living out of it with little or no talent but a solid belief in what they see in the mirror. This is British sarcasm and irony at it's cinematic best, disguised in a faux environment that even now, after forty years, is still often laugh out loud.
**Interesting, remarkable for its subgenre, credible… but I didn't find it funny.** I'm not a specific admirer of mockumentaries, but I recognize their value if they're funny. The film reports on the tour of a British rock band called Spinal Tap, and shows the enormous difficulties and crazy things they carry out on and off the stage. It's supposed to be a comedy... but, to be honest, it didn't make me laugh. I recognize the value that this film had for the cinematographic subgenre it launched, and the interest that the film has for cinema students and others who deepen their knowledge of the seventh art in greater detail. For me, as I'm just a guy who watches films because he likes them, it's different: it's harder to convince me to watch this a second time because of the many technical arguments they might use. Being a comedy, it has to be funny. If it doesn't, it failed as a comedy (even considering the fact that I may not be the target audience, that would just be a sign that it's not a film for me). Although it didn't make me laugh, I recognize that Rob Reiner does an interesting job and manages to give his film enormous authenticity on all levels. I wonder what fieldwork he did to prepare for the project, whether he spoke to journalists who follow the music industry, with bands or music artists, because in fact the film captures quite well the bizarre things that can happen on a rock tour. And the work of the main actors (Michael McKean, Harry Shearer, Christopher Guest) is equally worthy if we consider that much of what they say is improvised at that moment, not previously written. The film looks cheap and this is perhaps even intentional: the cinematography resembles a “found-footage” film, with the image shaky, poorly calibrated, full of grain at times. The sets are very good and the soundtrack, made for the film, is absolutely believable.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.
Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.