The Smashing Bird I Used to Know

In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.

Grim and gory, this trashy drama chronicles the exploits of a sexually frustrated psycho killer who terrorizes a backwoods Carolina community and butchers the girl friend of a country western singer after she refuses to service.

When her mother dies, her attractive young daughter hungry for love moves into the dead woman's house as a quest to seduce its tenants in her desperate search for love.

Masked intruders take the family of a bank manager hostage in order to rob his bank.

Convent of Sinners is the story of Susanna, a young girl who is raped by her own father and sent to a convent for her sins, where she falls in love with a priest. The other nuns, however, are jealous and angry, they want Susanna for themselves, and accuse her of being possessed by the Devil.

A mysterious woman named Grace hides in a small mountain town from criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.

A Swiss nun falls in love with a Japanese engineer.

Young attractive blonde arrives in Hollywood looking for a career in the movies.

Teen-Age is another "exposé" film of the 1940s, cheaply made but widely distributed. In the guise of a warning against wartime juvenile delinquency, the film offers the exploitational tale of a bunch of wild, unsupervised kids at large in a small community. With nothing but time on their hands, the young protagonists become involved with petty theft, inevitably leading to some pretty serious consequences.

Wilbur Crane is a meek, mild-mannered bookkeeper who no longer finds his wife, Martha, attractive and sets out for a little fling among the fast crowd while looking for love in all the wrong places. Dorothy, a gold-digger first class, and her business-manager friend, Danny, oblige him. Through camera angles,"art" photos, some semi-nudity, special camera-effects (by Ray Mercer), and strange interludes in Wilbur's mind, and off-screen voices, long-time poverty-row b-western director Bernard B. Ray embarks on the exploitation trail.

The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.