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A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.

Caught in a seedy underworld of lies, lust and murder, Antonelli, the local mob boss, and his sultry young wife, Michelle, share a game of deception and jealousy that soon turns deadly.

A nymphomaniac recounts her memories of taboo sex.

Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend. Spirited Christian Tala and shy Muslim Leyla could not be more different from each other, but the attraction is immediate and goes deeper than friendship. But Tala is not ready to accept the implications of the choice her heart has made for her and escapes back to Jordan, while Leyla tries to move on with her new-found life, to the shock of her tradition-loving parents. As Tala's wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.

Three inner-city losers plan a robbery of a valuable coin in a seedy second-hand junk shop.

When World War II breaks out, two German lovers are cruelly separated. While he is sent to fight at the front, she, a Jewish girl, is sent to a concentration camp where humiliation and death have been elevated to a sinister art.

Rick (Rutger Hauer), a disaffected sailor turned hard drinking womanizer, returns home from six months at sea to find his wife (Corrigan), whom he was deeply in love, has unexpectedly left him and is now a junkie whore. Devastated, he tries to ease his pain with booze and cheap thrills. His wife's best friend (Dagmar Lassander) makes a move on him, and when he spurns her (after scewing her first, naturally) she plots her revenge. She does so in an ingenious way, by exploiting a fantasy woman of his, but her plan backfires with tragic consequences.

Alma regrets not having touched the person she loves, but nevertheless, maybe that was the best thing. If they were together, the kiss that she seeks would have been lost. In the short film, the image narrates some facts and the sounds illustrate others – two possible paths from a gesture that changes everything. By image: Alma dared to speak with Duna, they started a relationship, they were together. But after a while they argue and separate. Alma ends alone. By sound: Alma regrets not having dared to speak with Duna, believing that they had been together forever. Alma still has the memory of Duna in her memory, but one day she meets a person who really loves her.

A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?

A gun fires and supermodel Lily Sampson is dead. Two cops, Clark and his new partner Allie, are on the case. Their only clues are a revealing videotape of the victim in a searing game of bondage with a famous fashion photographer, and Lily's high school yearbook which reveals a mysterious twin sister and clues to a lifelong rivalry with another model.

Death in Love is a psychosexual-thriller about a love affair between a Jewish woman and a doctor overseeing human experimentation at a Nazi German concentration camp, and the impact this has on her sons' lives in the 1990s.