Roots of my Rhythm

A dynamic and lyric routine explores the relationship between the dancer and the performance space. Choreography by John Lam.

East Coast natives Napoleon, Young Noble, Edi and Kastro attempt to unify the thug nation.

Short documentary on underground rap culture in New York City.

The story of hip hip behind the iron curtain.

Karolina Kuras is a Toronto-based ballet and portrait photographer. In this piece, we explore her creative collaboration with Canadian National Ballet dancer/choreographer Brent Parolin and Tanya Howard, as well as make-up artist Ashley Readings. We wanted to encapsulate the essence rather than the information. There are many pieces where Karolina is featured as a photographer discussing her work, but we wanted to get underneath the surface, into the intangible matters that drive and inspire her to create and collaborate so intimately. This project was captured on 35mm film, with a small crew in Karolina’s home studio.

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.

In The FADER's doc Right Here Is Home, JPEGMAFIA revisits one of the first places he connected with a creative community, The Bell Foundry in Baltimore, and explains how the city's collective fight against police brutality helped foster his early forays into music. He then gets into how there really wasn't a backup plan after music, despite his journalism degree. And to show the electric energy in his live shows, the doc ends with a sold out show at Baltimore's Metro Gallery featuring himself as the DJ.