Zombie Town 2023 - Movies (Oct 10th)
Cold Meat 2023 - Movies (Oct 10th)
Teaches of Peaches 2024 - Movies (Oct 10th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Caddo Lake 2024 - Movies (Oct 10th)
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Outer Banks - (Oct 10th)
Fight Night- The Million Dollar Heist - (Oct 10th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Guys Grocery Games - (Oct 10th)
Unsellable Houses - (Oct 10th)
Bargain Block- New Orleans - (Oct 10th)
Expedition Unknown - (Oct 10th)
I'm married to a Millennial and that presents difficulties that are unique to her generation. Especially unique since I am Gen-X and there is that whole rejection of labels thing and her generation is obsessed with labels. And the not understanding satire or dark humor thing that plagues that generation. And, of course, the fact that my generation kind of raised ourselves and hers, well, I have to explain things like why you don't mix coloreds and whites when you do laundry. Anyway, getting her and her besties to sit down and watch anything older than 4 years is an uphill battle... again a uniquely Millennial thing. This is odd to me since I was born after this came out, and, honestly, love a lot of movies even decades older than me.... it's the new ones I don't like. So I begged, and I pleaded, and I finally got them to watch Blazing Saddles, on the basis that I actually forced my wife (at gun point, and knife point) to watch Young Frankenstein and she loved it. Blazing Saddles lasted about 10 minutes before they got upset by the racism. But they she and her best friend and her boyfriend sat it out anyway, and by the end of the movie they were throwing a fit about racism as if I sat them down to watch Birth of a Nation. Mel Brooks somehow went way over their heads... ... I'm not exactly sure that has ever happened before... ever, in all the History of the World, I'm pretty sure that has never, ever, happened before. So I found myself with an angry wife and two very angry friends all pretty much accusing me of being William Luther Pierce. Still not sure what happened there. Something went horribly wrong. This movie kind of mocks racism doesn't it? it turns it into a joke so people can't take it seriously any longer and makes the viewer think that anyone who wears a white robe is an idiot. An absolute moron. And yet their collective reaction kind of assumed the opposite. So, anyway, I slept on the couch for a while as I slowly talked her down and explained that, no, in fact this movie was AGAINST racism. That Mel Brooks is far from a racist. That, in fact, it supports equality. But I'm still very confused. I still don't know how that happened.
I grew up watching the "Friday Western" each week on the television so am a bit steeped in the genre to which this takes an entertaining, and loving, swipe. "Hedley Lamarr" (Harvey Korman) is out to trash his own town so he can buy up the land cheaply for his railroad. What better way to drive folks away than to appoint an African-American sheriff? The shrewd "Bart" (Cleavon Little) knows full well that he has precisely no support from his community - not the sharpest tools in the box - so he signs up the mean "Waco Kid" (Gene Wilder) as his deputy. A gunslinger of ill-repute, he and his boss gradually convince the sheepish townsfolk that they can fight back against the scheming "Lamarr" and maybe even foil his not so cunning plan. My personal favourite scene has to be the wonderful imitation of Marlene Dietrich by Madeline Kahn singing "I'm Tired", but there are loads of other skits of everything from "High Noon" to "Chisum" with Slim Pickens and David Huddleston providing some genuine western credentials to the proceedings. Auteur Mel Brooks pops up once or twice, in differing guises, to add a bit of additional comedy to his already quite daft storyline that is respectful of cowboy movies but also quite potently critical of their stereotyping characters, their repetitive storylines and usually, their entirely predictable conclusions. This mixes all of that up with Little and Wilder gelling well, presenting us with a genuinely laugh out loud, occasionally slap-stick, critique of one hundred years of a theme of cinema that has probably not really evolved that much since 1874!
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
It's not unusual for alcoholic cop Lou to black out and wake up in unfamiliar surroundings, but lately things have taken a turn for the strange...and hairy. WolfCop is the story of one cop's quest to become a better man. One transformation at a time.
When The Walker gets in hot water with some vague crime boss guy, he will risk it all (not much) to use his walking skills...to walk. Not based on any film whatsoever.
A womanizing reporter for a sleazy tabloid magazine impersonates his hen-pecked neighbor in order to get an expose on renowned psychologist Helen Gurley Brown.
Kronos, hero of a distant galaxy, tangles with mad scientist Gulik over the fate of mankind.
In this satirical twist on classic movie musicals, a young lady must choose between love and social pressure when her late fiancé requests her virginity from beyond the grave.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Melvin Junko was a nerdy weakling until he fell into a vat of toxic waste, turning him into the first ever superhuman creature from New Jersey. This time, he takes on Tokyo.
Desperate to raise money for the experimental surgery that could restore his blind fiancee's eyesight, Toxie accepts a lucrative job with the evil multinational conglomerate Apocalypse Inc.