Companion 2025 - Movies (Jan 31st)
The Fabulous Four 2024 - Movies (Jan 31st)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
Björk Cornucopia 2025 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Inside with Jen Psaki - (Feb 1st)
Fire Country - (Feb 1st)
Lopez vs Lopez - (Feb 1st)
The ReidOut with Joy Reid - (Feb 1st)
Gold Rush - (Feb 1st)
S.W.A.T. - (Feb 1st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Feb 1st)
Lets Make a Deal - (Feb 1st)
Cruising with Susan Calman - (Jan 31st)
The Last Leg - (Jan 31st)
Travel Man- 48 Hours in... - (Jan 31st)
The Last American Vagabond - (Jan 31st)
Deadline- White House - (Jan 31st)
Love Island- All Stars - (Jan 31st)
8 Out of 10 Cats Does Countdown - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Come Dine With Me- South Africa - (Jan 31st)
Richard Osmans House of Games - (Jan 31st)
Death in Paradise - (Jan 31st)
If you’re looking for a film about how not to conduct yourself in a gay male relationship, this is it. Writer-director Matías De Leis Correa’s second feature outing is a talky, jumbled mess about the dysfunctional reunion of two long-separated partners (Patricio Arellano, Esteban Recagno) who constantly paw at one another but can’t make up their minds about what they want for the future. In a story that pretentiously deals with the supposed power of love and unrestrained raw emotion, the film ends up being little more than an exercise in circular, often-contradictory discussions about relationships and responsibility as a precursor to soft-core gay male porn. The picture tries hard to pass itself off as a work of poetic, heartfelt romance but is in actuality little more than slickly produced justification for bad behavior. What’s more, the story grows ever more tedious as it unfolds, straining to evoke sympathy from audience members for the selfish expectations and doormat subservience of its two remarkably unlikable protagonists, plot devices that regularly and increasingly prompt sighs and reactions of “Oh, come on already!” While this release admittedly features some fine camera work of the Argentinean landscape, that’s about all it has going for it. This one is easily skipped.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.
When her son gets critically injured in a car accident, a mother discovers that there's more to his relationship with his friend than she had thought.
Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
After his best friend disappears following a violent argument, a troubled marine must wrestle with his identity and guilty conscience.
A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. To seal their friendship, Mona introduces Tamsin to her born-again Christian brother and helps her spy on her adulterous father. Bound together by their secrets, the two girls see their friendship deepen and enter into dangerous waters.
Cris is a film student going through a creative crisis. Her professor rejects her latest script because it is empty, conveys no emotion, and advises her that whatever it is that is blocking her, she should put an end to it and fix it, so that she can turn in the script again the following week.
Ali is a gay Lebanese probationary constable and kicking against her Muslim brother's controlling behaviour. When she attends a 'concern for welfare' and discovers the body of an elderly man who died alone and unnoticed, she realises the value of a loving family, even if they can be misguided.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.