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**Ella Marie** puts on her coat in the tent and points to her belt with the fish symbol: Let's go. Flashback: Her home is with the Sámi people in Finnmark, Norway's northernmost province. In Oslo, Ella has made a new life for herself, singing with the band ISÁK, who consider themselves part of the electrojoik (that's a thing?). A mining company wants to mine minerals in Finnmark, which brings Ella and a group from environmental protection to protest. They fear long-term consequences for the ecosystem on the land of the Sámi, some of whom still traditionally keep reindeer there. The group camps in the north and chains themselves to excavators to prevent the mining. Ella Marie performs a song - _Rahčan_, which means "storm". **Anne Marte Blindheim** accompanies Ella Marie over several years, during which she became a kind of symbolic figure of protest in the Norwegian media after taking part in a number of singing competitions. In between, Ella also visits Mari Boine, a Sami singer and strong symbolic figure, if not the icon within the "Sámi scene". The insight into Ella Marie's life and the protest actions are worth seeing for anyone interested in the topic, but in between it seems a bit unstructured. It is clear that it is not always possible to start from scratch, but perhaps more context would have been helpful in the film. Also, the CEO of the company is given space to make his point. Something that is always good from a cinematic point of view to avoid being accused of being one-sided. However, it doesn't really contribute to further insights, as only chumming marketing slogans are dropped. Ella Marie also notices the problematic "giving space" at an event in the film. Also interesting are the shots from the 80s, when numerous Sámi and sympathizers protested in the streets of Oslo for their rights. In the cinema, Anne Marte Blindheim tells of her initial contact with Ella Marie, whose protest she learned about in a newspaper article. The protest has been successful so far, as the company lost their (German) investor, who didn't like things to move quickly and quietly enough. However, they continue to look for ways to implement their project.
Examines the extraordinary lifelong friendship between Skolt Sámi storyteller Kaisa Gauriloff and the Swiss-Russian author Robert Crottet through the eyes of Gauriloff’s great-granddaughter Katja.
The documentary Rap and Reindeer follows the life of 18-year-old Sámi rapper Mihkku Laiti, who lives in the northernmost corner of Sámiland. The film is a coming-of-age story, following Mihku on his journey towards a career as a musician and rise to stardom in the midst of varying expectations. He’s charmed the crowd on Talent Suomi and proudly wears the Sámi clothing he has styled himself. He raps and yoiks in harmony, designs his own brand on his computer but also masters the skill of laborious reindeer herding. Above all, he sees his own unique roots and the Sámi language as his greatest strength. The future makes him wonder: to follow his father’s footsteps or to reach for his dreams.
The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.
On Saturday, April 26, spring came to Sweden. That same day, Chernobyl nuclear power plant exploded. Bringing mild winds to Scandinavia. Sweden suffered heavily of radioactive poison.
Documentary about the priest and joiker Johan Märak and the artist Lars Pirak, and their friendship.
Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.
A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.
Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.