The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Levels 2024 - Movies (Mar 4th)
Night Talkers 2024 - Movies (Mar 3rd)
William Tell 2024 - Movies (Mar 3rd)
The House From... 2024 - Movies (Mar 3rd)
The Royal We 2025 - Movies (Mar 2nd)
Snow White and the 7 Samurai 2024 - Movies (Mar 2nd)
South of Hope Street 2024 - Movies (Mar 2nd)
Uppercut 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
Killer at the Crime Scene - (Mar 4th)
Four in a Bed - (Mar 4th)
Dogs Behaving (Very) Badly - (Mar 4th)
Make It At Market - (Mar 4th)
Tour de Fred- Northern Ireland - (Mar 4th)
Come Dine With Me- South Africa - (Mar 4th)
Chris Jansing Reports - (Mar 4th)
Son of a Critch - (Mar 4th)
Family Feud Canada - (Mar 4th)
Small Achievable Goals - (Mar 4th)
Eva Paus Asian Kitchen - (Mar 4th)
Clean It, Fix It - (Mar 4th)
Australian Idol - (Mar 4th)
Escape to the Country - (Mar 4th)
The Real Housewives of Sydney - (Mar 4th)
Crimewatch Live - (Mar 4th)
The Yorkshire Auction House - (Mar 4th)
Richard Osmans House of Games - (Mar 4th)
The 11th Hour with Stephanie Ruhle - (Mar 4th)
Married at First Sight - (Mar 4th)
The coming of age process is different for everyone, and that’s especially true for those of different generations. Those who underwent this rite of passage years ago, however, arguably may have faced more challenges and restrictions than what’s present in these more liberated and open-minded times, and such individuals may be somewhat envious of the privileges that have been afforded their younger counterparts. That’s very much the case with Anila (Kani Kusruti) and her teenage daughter, Mira (Preeti Panigrahi), who has (or at least should have) a comparatively easier time with this than her mother did. Nevertheless, Anila still expects Mira to conform to the rigid standards of her own youth, enrolling her in a strict Himalayan boarding school and hovering around her like an overprotective helicopter parent, particularly when she befriends a young man, Sri (Kesav Binoy Kiron), who becomes a budding – if severely restricted – romantic interest. Despite these constraints, though, Mira is supremely curious to clandestinely explore her emerging sexuality and female drives while at least superficially maintaining the image of propriety expected of a young Indian girl. Matters become further complicated, however, when Anila takes more than a passing supervisory interest in her daughter’s new beau, a dynamic that produces added friction between mother and daughter. As if adolescence weren’t complicated enough in itself, these circumstances raise the tension level inside the family household, in the relationship between the two youngsters and in the mind of someone who’s trying to figure out her life under conditions fraught with confusion, contradiction, constraint and more than a few double standards. Writer-director Shuchi Talati’s debut feature takes a nuanced, mature look at what can often be a baffling time of life, one that’s made even more complex by the potent influences impacting it. The film tends to fizzle somewhat as it approaches its conclusion, almost as if the director doesn’t quite know how to wrap up the story. But that doesn’t hinder the production overall when it comes to covering some previously unexplored fertile ground when it comes to a subject that’s often handled tritely and riddled with clichés. This recipient of two Independent Spirit Awards – for Kusruti’s supporting performance and as a candidate for the competition’s John Cassavetes Award – definitely makes a mark among 2024’s releases, even if, as the premiere offering from a new filmmaker, it could use some shoring up at times. That aside, though, “Girls Will Be Girls” is an impressive start for a promising new auteur, one well worth streaming online. Indeed, through this work, audiences may never view the coming of age process in quite the same way ever again.
Oy Oy follows a narrative about the coming-of-age of Adam as he journeys through the trials and tribulations of his identity and relationships.
Religious and cultural tensions escalate when an African Islamic woman has an affair with a white American agnostic man.
Recently widowed mom Brenda fights to protect her family during a harrowing road trip when a murder and a missing bag of cash plunge them into danger.
This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.
Chantal Akerman explores Jewish American identity in this multilayered portrait of the immigrant experience. Shot in Brooklyn near the Williamsburg Bridge, Histoires D'Amérique takes the form of a series of first-person addresses delivered by a cross-section of Jewish New Yorkers, whose by turns tragic and humorous tales speak to a collective history of trauma, displacement, and resilience.
In 1981 New York City, a collection of twentysomethings try to cope with relationships, loneliness, desire and their individual neuroses on New Years Eve.
Channing has it all: a beautiful home, a rock star lifestyle, and a loving husband intent on ruining it all by knocking her up.
A woman struggles to acclimate to prison life while her friend organises a labour strike on the outside.
Mr. Gray is the new Resident in Charge of the Welcome Islands in the Indian Ocean. The Islands are full of life, but the only other Europeans are the "sanctimonious, psalm-singing" brother-sister missionary team of Martha and Owen Jordans, and the Honourable Ted - a hard-drinking, womanizing social outcast whose English family pays him to stay away. Martha and Ted become an unlikely team when cholera threatens the islands and they must do their best to stop its spread.
The life of Marie and Peter seems perfect, but their greatest wish remains unfulfilled: a family of their own. After several painfully failed attempts to have a child by natural means, Marie and Peter decide to try adoption in Russia. Carried by their longing and after many months of preparation and waiting, they set off to get to know their future daughter Nina in a children's home thousands of kilometers away from Germany. They still have no idea that they are only at the beginning of a tour de force against the Russian authorities – and they are facing the biggest challenge for their relationship, because while Marie and Peter are fighting for their future child, the question is: are we still pursuing the same goal? Each for himself – and especially as a couple?
Mr. Conductor's supply of magic gold dust, which allows him to travel between Shining Time and Thomas's island, is critically low. Unfortunately, he doesn't know how to get more. Meanwhile, Thomas is fending off attacks by the nasty diesel engines. Getting more gold dust will require help from Mr. C's slacker cousin, his new friend Lily and her morose grandfather, plus the secret engine.