Les marchés de Londres (1969-1996)

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

Commemorative celebrations of the independence of the Republic of Niger filmed in December 1961 and 1962.

Queen Silvia of Sweden tells a little about her life in an animation made of stamps.

Some college pals try remembering their night in order to find their missing friend. They encounter a weird stranger.

Clay-on-glass under-the-camera animated interpretation of Emily Dickinson's poem by animator Lynn Tomlinson.

Johnny's freeloading brother Henry will go to any length to bet on a tip at Belmont, including stealing from Junior's piggy bank. When Johnny's mother-in-law tells them to take Junior to the dentist to have a tooth pulled, and gives them $2 for the doctor, the game is afoot. The money goes to Henry's bookie, and the boys decide to pull Junior's tooth themselves... by tying a string onto the back bumper of a car. But a pet parrot spills the beans, and mother-in-law goes chasing after them with fire in her eye, and a fireplace poker under her coat.

A struggling father uses a bedtime story to impart an important life lesson to his son.

When members of Tiger Mafia attack a music festival and against orders begin to shoot civilians the protector spirit of Nyege Nyege Island is summoned to help.

Band leader Phil Harris, through a misunderstanding, finds himself with a job as a professional escort, and a date to take a rich young society girl to a night club. She picks the club where the Harris band is playing. Phil is kept busy trying to keep the band from telling the girl who he really is, and to keep the girl distracted enough so she won't notice he is leading the band.

In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.

At a remote mountain lake a bound man with cemented shoes is being dragged to the water by two other men and his request for a coup de grace escalates into a clash.