The Unholy Trinity 2024 - Movies (Jul 8th)
Simple Plan The Kids in the Crowd 2025 - Movies (Jul 8th)
Karate Kid Legends 2025 - Movies (Jul 8th)
Night of the Zoopocalypse 2024 - Movies (Jul 7th)
Magic Candies 2024 - Movies (Jul 7th)
Killing the Competition 2025 - Movies (Jul 7th)
The Sloth Lane 2024 - Movies (Jul 7th)
Mother Father Sister Brother Frank 2024 - Movies (Jul 7th)
Hill 2025 - Movies (Jul 7th)
Spiders on a Plane 2024 - Movies (Jul 6th)
Going Going Gone The Magic of the Home Run 2025 - Movies (Jul 6th)
Sharks Up Close with Bertie Gregory 2025 - Movies (Jul 6th)
Barbie Uncovered A Dream House Divided 2024 - Movies (Jul 6th)
Becoming Madonna 2024 - Movies (Jul 6th)
Alien Rubicon 2024 - Movies (Jul 5th)
Invention 2024 - Movies (Jul 5th)
The Rule of Jenny Pen 2024 - Movies (Jul 5th)
The Legend of Ochi 2025 - Movies (Jul 4th)
Eden 2024 - Movies (Jul 4th)
Canary Black 2024 - Movies (Jul 4th)
Deadly Escape 2025 - Movies (Jul 4th)
The Librarians- The Next Chapter - (Jul 8th)
Mean Girl Murders - (Jul 8th)
Maine Cabin Masters - (Jul 8th)
90 Day- Hunt For Love Between the Sheets - (Jul 8th)
90 Day- Hunt For Love - (Jul 8th)
Super Mega Cakes - (Jul 8th)
Virgins - (Jul 8th)
Isekai Onsen Paradise - (Jul 8th)
Raw - (Jul 8th)
The McBee Dynasty- Real American Cowboys - (Jul 8th)
The Rachel Maddow Show - (Jul 8th)
The Last Word with Lawrence ODonnell - (Jul 8th)
The Young and the Restless - (Jul 8th)
Below Deck - (Jul 8th)
Love Island USA- Laid Bare - (Jul 8th)
The Cook Up with Adam Liaw - (Jul 8th)
The Bold and the Beautiful - (Jul 8th)
Dover 24/7- Britains Busiest Port - (Jul 8th)
The Beat with Ari Melber - (Jul 8th)
Love Island - (Jul 7th)
> What if your plan is a small part of someone's big. I wanted this film since it was out, only now I managed to see it. I haven't seen so many Spanish films as I did for French and German. I don't want to get disappointed, so I'm choosy and that is how it got delayed. That is the another reason why you don't see my low rated ('bad' and 'ignore' in my verdict) movie reviews. I don't want to waste my time to review bad films. Better late than never, and now, I don't regret for the wait. Anyway, the film was good, I enjoyed it and I wanted it to be one of my favourite from the year it got released, but a few things stopped me to consider that. Okay, first of all, it was a casual start like any thriller flick. Slowly letting us know what it's all about, introducing the characters in order in a simple manner and then intense suspense emerges. The pace picks up when more and more puzzle pieces dropped on-board. By then, as a viewer you would begin to figure it out, applying theories you got. But it's not that easy to crack, because the film is not that stupid to give away any hints. Nowadays a certain section audience is a little extra cautious, especially since 'The Sixth Sense' and 'The Shawshank Redemption'. So this narration carefully maintains the tense parts. > "I close my eyes and you're still with me." Not until the film reaches the final act, where the twist happens and you will realise that you were nowhere near. Because the first two acts and the final were totally parted in narration except connected with the characters. The entire film revolves around a disappearance of a dead body from a morgue. The husband of the dead woman, a cop and others tries to solve the mystery in an overnight. And a few flashback pieces give us the necessity stories when the ongoing situation getting more tense. I thought 'Gone Girl' was inspired by the first half of this film. After a little research I got to know that movie was based on the book of the same name that released around the same date when this film came out. But a very similar one, only the finale diverted to the other path and so the meaning of whole film changed. As a movie fanatic, I had collected some flaws for my review, but the movie took till the final dialogue to keep it that way and then solved it, leaving me empty handed. So there are no second and third thoughts about the end, because that was separated from the rest of the movie and very clear to declare what has to be done. That means you don't have to go looking for defects, other than accepting as it is. The only choice you have to make is to express whether you liked the movie or not. And like I said in the first paragraph I enjoyed the film, but not the favourite one and I believe I explained the reason for that in other paragraphs. I absolutely recommend it for those who are looking for a suspense-thriller. 8/10
“Mayka” (Belén Rueda) is a wealthy woman with a toy-boy chemist for an husband “Álex” (Hugo Silva) and it’s not really the happiest of arrangements. She regularly baits him and threatens him with a divorce that would render him poverty-stricken. Then, suddenly, she has an heart attack and ends up on a mortuary slab - but not for long. Before they can carry out an autopsy, she’s gone awol. Policeman “Jaime” (Jose Coronado) is suspicious of the husband and his potentially venal motives but with no body there is a distinct paucity of evidence. With a thunderstorm almost perpetually raging overhead, we spend most of the next two hours playing a clever game of cat and mouse where it’s not always clear which is which. We are drip fed clues, counter-clues and red herrings enthusiastically by auteur Oriol Paula to ensure we remain engagingly perplexed and equally suspicious throughout. Can it really be a simple as it all seems at first glance? The mystery is expertly sustained and unlike many others of this genre where the plot is predicable, this one really does have us guessing right until a denouement that has something of the Agatha Christie meets the “Sting” to it. The production uses the dark and wet environments effectively (nobody here ever seems to want to turn on the lights) and Coronado with his fastidiousness, Rueda with her obnoxiousness and Silva with his smugness all work well as the mix of real-time investigations and flashbacks help us to fill in some of the plentiful blanks abetted by some noxious science for good measure. This is a proper thriller.
Baron von Sepper is an Austrian aristocrat noted for his blue-toned beard, and his appetite for beautiful wives. His latest spouse, an American beauty named Anne, discovers a vault in his castle that's filled with the frozen bodies of several beautiful women.
A man's recently transplanted heart leads him on a frantic search to find the donor's killer before a similar fate befalls him.
When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.
Charlie Cox should have stopped for gas in California. While he's on a cross-country trip with his teenage daughter, Joleen, his car hits empty in a creepy town in Nevada. With nary a drop of fuel to be found, Charlie and Joleen stop for the night at a dilapidated trailer park. There, Joleen catches the eye of two teenage boys, Jimmy and Pinky - either of whom could be the serial killer currently terrorizing the town.
Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town. When Henry Mander is investigated for the murder of his shady business partner, Grey is one step ahead of the police to the extent that he often dictates his story in advance of its actual occurrence. He leads the police through an 'open and shut' case resulting in Mander being tried, convicted and sentenced to death. Columnist Mary Shannon is in love with Steve but she sees him struggle greatly with his last story before Mander's execution. When she starts typing out the story from his recorded dictation, she realizes why.
A savings-and-loan bank is robbed; later, a police wiretap identifies meek bank teller Leon Poole as the inside man. In capturing him, detective Sam Wagner accidentally kills Poole's young wife, and at his trial Poole swears vengeance against Wagner. Poole begins his plans to get revenge when he escapes his captors.
After discovering the dead body of her teenage daughter's lover, a housewife takes desperate measures to protect her family from scandal.
A tourist witnesses a murder and finds herself caught up in a series of bloody killings.
A wealthy playboy gathers a group of bourgeois friends at his isolated beach house for a weekend of relaxation. When bodies start pilling up, they realize they’re trapped with a killer in their midst, sending them in a frenzy to figure out who amongst them is killing the others before they are killed next.