Breaking Girl Code

The day before they go their separate ways, three friends get together for one last all-nighter in the city that saw them grow.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.

A trio of young women help each other come to terms with death, loss and love during a séance on the roof of their apartment building.

A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.

Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.

Take The Bridge is a 2007 independent film from Sergio M. Castilla about four young adults who all try to commit suicide on the same day and how they meet up and become friends. The film Premiering at the 2007 Tribeca Film Festival.

Daniel LaRusso moves to Los Angeles with his mother, Lucille, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of high school students, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei, John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and, later, preparing him to compete against the brutal Cobra Kai.

Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

Maggie, a quiet retiring grandmother, finds herself helpless as her grandson’s health deteriorates. When one last chance appears, but money is desperately short, Maggie acts to raise the cash in a fashion that surprises everyone but her.