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_**Lawrence of the Jungle**_ In the late 1800s, a gallant officer in the English merchant service (Peter O'Toole) falls prey to cowardice in a weak moment and is ousted to drift from job to job until he is inspired to help a Southeast Asian village purge a cruel general (Eli Wallach), hoping for redemption. The peripheral cast includes Paul Lukas, Jack Hawkins, Curd Jürgens, Daliah Lavi and James Mason. Richard Brooks’ “Lord Jim” (1965) is heavily boiled-down from the superfluous prose of Joseph Conrad's 1900 novel and comes across as overly sentimental and melodramatic. The fictitious village of Patusan is located in Malaysia in the book where the population is largely Muslim while in the movie, which was made in 1964 when the Vietnam situation was escalating, Patusan is deftly moved several hundred miles north to mainland Southeast Asia where the population is Buddhist. At its heart, this is an exploration of the negative effects of fear and the thin line between cowardice and heroism, which is reminiscent of “They Came to Cordora” (1959), but with the setting and general tone of “The Ugly American” (1963), albeit 60+ years in the past. With O’Toole playing a character that helps a ragtag group of idealist indigenous people you can’t help but think of “Lawrence of Arabia” (1962) transferred to the jungle. But “Lord Jim” comes across awkward and boring by comparison, not to mention more old-fashioned even though it’s newer by a few years. The ending is questionably done and leaves a bad taste. On the positive side, some elements are well done, even artistic, and clearly influenced Coppola’s outstanding “Apocalypse Now” (1979). The movie runs 2 hours, 34 minutes, and was shot in Lantau Island, Hong Kong; Angkor Wat, Cambodia; and Malacca, Malaysia. Studio work was done at Shepperton Studios, Surrey, England. GRADE: C
There is much of his TE Lawrence performance in Peter O'Toole's eponymous characterisation of William Conrad's 19th Century sailor. He is cashiered out of the service on grounds of cowardice after being forced to abandon some Muslim pilgrims amidst a storm at sea. Many years on, when he manages to thwart some would-be maritime saboteurs, he allies with trader "Stein" (Paul Lukas) and sets off up river to help some locals who are being enslaved by the "General" (Eli Wallach) and his drunken, cowardly pal "Cornelius" (Curd Jürgens). Battles ensue before "Jim" finds himself further embroiled in the machinations of James Mason's "Brown" on the hunt for some gold and.... Essentially this film (as was the book) is about redemption. "Jim" constantly regrets his earlier, hasty, actions and will stop at nothing to demonstrate that a coward he isn't. Richard Brooks keeps this film moving along quickly with plenty of attention to the gist (if not always the detail) of the book. The episodic nature of the narrative allows the other characters - including Jack Hawkins' "Marlow" - to play their parts for twenty or minutes or so before the plot moves on to pastures a bit new and so it is rarely dull. The production standards are high, and O'Toole, Wallach and especially Jürgens are on good form throughout. I enjoyed this.
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.