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Liar - (Mar 29th)
MotoGP Unlimited - (Mar 29th)
The Potato Lab - (Mar 29th)
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_**Lawrence of the Jungle**_ In the late 1800s, a gallant officer in the English merchant service (Peter O'Toole) falls prey to cowardice in a weak moment and is ousted to drift from job to job until he is inspired to help a Southeast Asian village purge a cruel general (Eli Wallach), hoping for redemption. The peripheral cast includes Paul Lukas, Jack Hawkins, Curd Jürgens, Daliah Lavi and James Mason. Richard Brooks’ “Lord Jim” (1965) is heavily boiled-down from the superfluous prose of Joseph Conrad's 1900 novel and comes across as overly sentimental and melodramatic. The fictitious village of Patusan is located in Malaysia in the book where the population is largely Muslim while in the movie, which was made in 1964 when the Vietnam situation was escalating, Patusan is deftly moved several hundred miles north to mainland Southeast Asia where the population is Buddhist. At its heart, this is an exploration of the negative effects of fear and the thin line between cowardice and heroism, which is reminiscent of “They Came to Cordora” (1959), but with the setting and general tone of “The Ugly American” (1963), albeit 60+ years in the past. With O’Toole playing a character that helps a ragtag group of idealist indigenous people you can’t help but think of “Lawrence of Arabia” (1962) transferred to the jungle. But “Lord Jim” comes across awkward and boring by comparison, not to mention more old-fashioned even though it’s newer by a few years. The ending is questionably done and leaves a bad taste. On the positive side, some elements are well done, even artistic, and clearly influenced Coppola’s outstanding “Apocalypse Now” (1979). The movie runs 2 hours, 34 minutes, and was shot in Lantau Island, Hong Kong; Angkor Wat, Cambodia; and Malacca, Malaysia. Studio work was done at Shepperton Studios, Surrey, England. GRADE: C
There is much of his TE Lawrence performance in Peter O'Toole's eponymous characterisation of William Conrad's 19th Century sailor. He is cashiered out of the service on grounds of cowardice after being forced to abandon some Muslim pilgrims amidst a storm at sea. Many years on, when he manages to thwart some would-be maritime saboteurs, he allies with trader "Stein" (Paul Lukas) and sets off up river to help some locals who are being enslaved by the "General" (Eli Wallach) and his drunken, cowardly pal "Cornelius" (Curd Jürgens). Battles ensue before "Jim" finds himself further embroiled in the machinations of James Mason's "Brown" on the hunt for some gold and.... Essentially this film (as was the book) is about redemption. "Jim" constantly regrets his earlier, hasty, actions and will stop at nothing to demonstrate that a coward he isn't. Richard Brooks keeps this film moving along quickly with plenty of attention to the gist (if not always the detail) of the book. The episodic nature of the narrative allows the other characters - including Jack Hawkins' "Marlow" - to play their parts for twenty or minutes or so before the plot moves on to pastures a bit new and so it is rarely dull. The production standards are high, and O'Toole, Wallach and especially Jürgens are on good form throughout. I enjoyed this.
The young D'Artagnan arrives in Paris with dreams of becoming a King's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the King. D'Artagnan must also juggle affairs with the charming Constance Bonancieux and the passionate Lady De Winter, a secret agent for the Cardinal.
In the 19th century, an expert marine biologist is hired by the government to determine what's sinking ships all over the ocean. His daughter follows him. They are intercepted by a mysterious captain Nemo and his incredible submarine.
In the 1800s, a stormy love relationship develops quickly between a young medical student and a woman believing herself to be the daughter of his scientist uncle, the student having never heard of her before their chance encounter and both unaware that she is the result of the scientist's illegal experiments with artificial insemination..
The first film adaptation of Sir Arthur Conan Doyle's classic novel about a land where prehistoric creatures still roam.
This Lost World is a splendid BBC TV dramatisation of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the moustachioed big game hunter who faces an Allosaurus with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.
Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason for this accusation and to protest his innocence, he tries to look behind the façade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this nightmare.
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
Dr. Henry Jekyll believes that there are two distinct sides to men - a good and an evil side. He believes that by separating the two, man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug, it is already too late.
Tampering with life and death, Henry Frankenstein pieces together salvaged body parts to bring a human monster to life; the mad scientist's dreams are shattered by his creation's violent rage as the monster awakens to a world in which he is unwelcome.
In New York City, bright but naive New Englander Anne Welles becomes a secretary at a theatrical law firm, where she falls in love with attorney Lyon Burke. Anne befriends up-and-coming singer Neely O'Hara, whose dynamic talent threatens aging star Helen Lawson and beautiful but talentless actress Jennifer North. The women experience success and failure in love and work, leading to heartbreak, addiction and tragedy.