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A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

The first-ever DVD to feature one of the great New-Wave acts of the late 1970s, The Fleshtones. For over 30 years, the band has recorded and toured playing around the world to their ever-loyal fanbase and is still going as strong as ever. Live At The Hurrah Club features a full-length performance from the band at New York's legendary venue from the early 1980 s bonus material that comes from a performance at the NY Rocker Party event.

Heartbeat City Tour, recorded live at The Summit in Houston, Texas on September 12, 1984.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

They were the girl group that defined the 80s. After a near 30 year absence since their last performance, Sara, Keren and Siobhan reunited last year for what was remarkably Bananarama’s FIRST ever tour together – and what a success it was, with a sell-out run of 22 dates across the UK. Now fans are able to relive this spectacular with the release of their Eventim Hammersmith Apollo Show. Recorded on Sunday 29th November 2017, the recording captures the sensational renewed vigour of the band which saw them garner rave reviews from both devout audience members, and critics alike.

The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.

Adrian Belew augments the band on this 50-minute performance from the Westfalenhalle, in Dortmund, Germany, on December 20th, 1980, for the Rockpop TV show. Set List: Psycho Killer Cities I Zimbra Once In A Lifetime Animals Crosseyed And Painless Life During Wartime The Great Curve

Documentary by Eckhart Schmidt about New Wave music.

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.