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The Last American Vagabond - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Andy and Terry Macguire (Harry Treadaway, Fish Tank & Rasmus Hardiker, Saxondale) are two cockney orphan tearaways. They're a little bit wooah, a little bit wheeey. But like all cockney orphan tearaways who are a little bit wooah, a little bit wheeey, they've got an 'eart o' gold, and they want to save their grandad's (Alan "Brick-Top" Ford, stealing the film) retirement home from imminent closure. How? By nicking a van that barely works, assembling a team made up of themselves, their sexy cousin (Michelle Ryan, EastEnders) and a pair of associates: the dimwitted Tuppence (Jack Doolan, The Green Green Grass) and the psychotic Mental Mickey (Ashley "Bashy" Thomas, apparently something of a name in the UK "Grime" scene which spawned Tinie Tempah, Tinchy Stryder and the like), and robbing a bank dressed as the construction workers presently digging up a large swathe of neighbouring Docklands area. It's here with a couple of the Docklands workers that the film begins, as they inadvertantly discover a sealed tomb in amongst the East-end mud. Sensing literal buried treasure, they venture in and are immediately set upon by a centuries-old dessicated member of the undead. So it begins, and so it escalates (a little too quickly, if I'm honest; one minute there are no zombies. A scene or two later, East London is a cordoned-off zombie zone, despite the film's constant allusions to how slow the zombies are), until before long the retirement home - choc-full of funny characters and a stand-out scene featuring Richard Briers in the slowest chase scene you'll ever see - is under heavy seige and our inept bank-robbers, who WERE under heavy seige at the bank from the cops, find their path cleared. Well, inasmuch as everyone in the street is now either dead or UNdead. With a couple of hostages from the botched bank job in tow, our crew of idiots have to make it to their warehouse rendevous and then decide whether to go and help grandad. This is a very undemanding romp. "If Ealing Comedies did Zombie Flicks...", you could say. Most obvious comparisons I guess would be with 2004's Shaun of the Dead, and it's definitely in that ballpark (if not truthfully as smart). Shortcomings? Hm, well the glamour provided by Ms. Ryan seems totally superfluous, and the zombies whilst played seriously aren't quite played seriously enough, a result of which is that there is almost no sense of peril whatsoever; I know it's a comedy, but it's still a fairly gory zombie film too, and I think the filmmakers lose sight of that once or twice too often for my personal tastes. Still, I'm nitpicking. Ashley Thomas and Rasmus Hardiker are very good, and Alan Ford is superb, as entertaining in this as he was in Snatch, and we even find out whether or not West Ham and Millwall fans can learn to get along once they're undead. It's an easy and fun way to blow off 80 brisk minutes. What else d'you want, eh? You fahking cahnt! Gertcha!
What a bloody stupid/brilliant film! It does exactly what you'd expect, really. Doesn't outstay its welcome though, unlike some, providing a delightfully silly romp around East London's undead-infested streets. Some crackin' one-liners, intriguing and relatable characters, and a few "ooooh, hot DAMN!" moments. Given the original intention and audience expectation, this is spot on. How could you walk away without a big cheesy grin?! Love it!
I've always had a soft spot for the Treadaway twins but even here, with Alan Ford doing his best Albert Finney impersonation as dad "Ray", this struggles to resonate. It's Harry ("Andy") and his best mate "Terry" (Rasmus Hardiker) who decide to assemble a gang to rob a bank. Ashley Thomas provides the muscle as the aptly named "Mental Mickey" and Michelle Ryan's "Katy" ain't no slouch either as their plans gradually take shape. What they don't account for, though, is the zombification of East London. Whether or not they successfully pull off their heist and avoid the police is secondary to their escaping an army of spellbound critters who have been bitten after an ancient graveyard was accidentally uncovered by a construction operation. Now these ketchup-sprayed monsters are persistent and there are thousands of them, so our gallant gang have to figure out a way to make it to the safety of a boat on the Thames before setting sail for? Canvey Island I suppose? Can they make it? This isn't a bad film, but it's hardly an original bone in it's body. There's a degree of chemistry between Treadaway and the quite entertaining Hardiker, but the rest of it is a distant sequel of "Shaun of the Dead" (2004) with an episode of "The Bill" thrown in for blue lights and good measure. It's clearly meant to be a spoof, and taken in that spirit it's a daft and predictable shoot 'em up that you'll never remember, but it does pass ninety minutes amiably enough.
In the early part of the 21st Century, an unknown virus began spreading among the populous. Within weeks it had engulfed the entire planet, from the smallest communities to the greatest cities. Upon the death of its host, the virus would reanimate the corpse until it was no longer able to support itself. Soon the planet was infested with a new threat - the undead. So begins our journey into the dystopian world of the zombie diaries.
A psycho cop has a habit for pulling over random women and taking them to an abandoned warehouse, where he tortures and kills them. He gets what's coming to him when a pack of zombie women rise from their graves in order to get proper revenge.
When hell rises... One man will go to war for the survival of the humanity!
In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past, finds herself stranded in the desert with a lone and ravenous zombie on her tail.
Five young robbers spend a whole night in a dark catacomb to win a priceless treasure. They will have to fight against lots of ferocious zombies and vampires. At the end they will meet the Death in person!
When a kind of rabies that transforms people into aggressive creatures spreads across the planet, Manel isolates himself at home with his cat, relying on his wits to survive; but soon they must go out in search of food, by land and by sea, dodging many dangers.
A new team of paranormal researchers has come to the hotel to investigate its murder-soaked past; the puppets - led by a new member, Torch - shed some light on the matter, as they tunnel, burn, strangle and hook to survive.
A deep buried secret threatens the inhabitants of Stone Gate Penitentiary. When a petty car thief is sentenced to the prison, he encounters more than he expected. A bizarre occurrence unleashes a hoard of possessed Zombies out into the institute. Now he and his cell mate Miguel must find a way to break out of prison and rescue his girlfriend before they become one of the living dead.
Riding around on their motorbikes, a gang of tough women bikers are the only thing that stands between a crowd of zombies, which have been accidentally let out of their secure cave, and those still alive in the town.
When a zombie virus breaks out, one ragtag group of elevator passengers must band together for a fighting chance of survival against an infected rider and the clever horde that awaits them outside.
A geeky, terminally ill loner goes from utter insignificance to becoming humanity's last hope for survival after the zombie apocalypse.