日本統一27

Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.

Shiratori Tatsuhiko works as a scout for Burst, a talent agency in Kabukichō, Shinjuku's red light district. In a business where money means everything Tatsuhiko finds himself in a constant struggle between rival talent scouts and the yakuza.

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

A Yakuza hitman travels to North America for his 27th job, only to find lingering memories of lost love through a chance encounter with a beautiful prostitute.

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.

The 14th sequel to the popular series "Yakuza Crest". Hakuryu and Ichizou Matsuda team up again and expand their influence from Kansai to the whole country, advancing to the top of the Yakuza organization.

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

A warring Yakuza awakens to Christianity and becomes an evangelist. The film is modelled on the real-life "Mission Barabbas," a Christian evangelistic group of ex-Yakuza.

After a major conflict, Kazuma Washio (Hitoshi Ozawa) becomes the 6th boss of Tendokai, Kanto’s largest yakuza group. Wakagashira Date (Hideo Nakano) and Kurata (Yoshiyuki Yamaguchi) secure casino rights from the government, but top officials are soon murdered, and Date is framed. The trail leads to Sanko-kai, a Kansai syndicate forming ties with a Korean underworld led by Myojin Akinari (Noboru Kaneko), brother of Washio’s old rival. Sanko-kai’s boss Onizuka (Hiroshi Fuse), who holds a grudge against Washio, launches a political and violent offensive. As Tendokai fights back to reclaim the casino rights, tragedy strikes—Okita (Yasukaze Motomiya) is targeted. Japan’s largest underworld war erupts again—what awaits at the end?

A young man named Tatsumi Karasawa suddenly rises in the criminal world of Shinjuku, Tokyo, and becomes the leader of a group of amateurs who show no reluctance to face police and gangs alike. His successes in the Tokyo underground make a chief and a yakuza boss plot a conspiracy to eliminate him.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.